Chapter
Publicly Available
Acknowledgments
-
Rey Chow
Chapters in this book
- Frontmatter i
- Contents v
- Note on Translations vi
- Acknowledgments vii
- Introduction 1
- 1. When Reflexivity Becomes Porn: Mutations of a Modernist Theoretical Practice 13
- 2. On Captivation: A Remainder from the “Indistinction of Art and Nonart” (written with Julian Rohrhuber) 31
- 3. Fateful Attachments: On Collecting, Fidelity, and Lao She 59
- 4. Sacrifice, Mimesis, and the Theorizing of Victimhood 81
- 5. “I insist on the Christian dimension”: On Forgiveness . . . and the Outside of the Human 107
- 6. American Studies in Japan, Japan in American Studies: Challenges of the Heterolingual Address 133
- 7. Postcolonial Visibilities: Questions Inspired by Deleuze’s Method 151
- 8. Framing the Original: Toward a New Visibility of the Orient 169
- Postscript. Intimations from a Scene of Capture 183
- Index 187
Chapters in this book
- Frontmatter i
- Contents v
- Note on Translations vi
- Acknowledgments vii
- Introduction 1
- 1. When Reflexivity Becomes Porn: Mutations of a Modernist Theoretical Practice 13
- 2. On Captivation: A Remainder from the “Indistinction of Art and Nonart” (written with Julian Rohrhuber) 31
- 3. Fateful Attachments: On Collecting, Fidelity, and Lao She 59
- 4. Sacrifice, Mimesis, and the Theorizing of Victimhood 81
- 5. “I insist on the Christian dimension”: On Forgiveness . . . and the Outside of the Human 107
- 6. American Studies in Japan, Japan in American Studies: Challenges of the Heterolingual Address 133
- 7. Postcolonial Visibilities: Questions Inspired by Deleuze’s Method 151
- 8. Framing the Original: Toward a New Visibility of the Orient 169
- Postscript. Intimations from a Scene of Capture 183
- Index 187