Contributors

Chapters in this book

1. Frontmatter i
2. Contents vii
3. Acknowledgments ix
4. Introduction. Re-membering Gay Latino Studies 1
5. Queer Theory Revisited 19
6. Comment. It’s All in Having a History 46
7. Gay Shame, Latina-and Latino-Style: A Critique of White Queer Performativity 55
8. Comment Lawrence La Fountain-Stokes’s “Gay Shame, Latina-and Latino-Style: A Critique of White Queer Performativity” 81
9. The Place of Gay Male Chicano Literature in Queer Chicana/o Cultural Work 86
10. Comment. Our Queer Kin 105
11. Carnal Knowledge: Chicano Gay Men and the Dialectics of Being 113
12. Comment. Entre Machos y Maricones: (Re)Covering Chicano Gay Male (Hi)Stories 141
13. Entre Hombres/Between Men: Latino Masculinities and Homosexualities 147
14. Comment. The Material and Cultural Worlds of Latino Gay Men 168
15. Gay Latino Cultural Citizenship: Predicaments of Identity and Visibility in San Francisco in the 1990s 175
16. Comment A Response to “Gay Latino Cultural Citizenship” 198
17. Feeling Brown: Ethnicity and Affect in Ricardo Bracho’s The Sweetest Hangover (and Other STDs) 204
18. Comment. Never Too Much: Queer Performance between Impossibility and Excess 220
19. Shifting the Site of Queer Enunciation: Manuel Muñoz and the Politics of Form 226
20. Comment. Dancing with the Devil—When the Devil Is Gay 250
21. Choreographies of Resistance: Latino Queer Dance and the Utopian Performative 259
22. Comment Response to “Choreographies of Resistance: Latino Queer Dance and the Utopian Performative” 281
23. Dance Liberation 286
24. Comment. Dance with Me 311
25. Bibliography 321
26. Contributors 349
27. Index 353