Technobrega, Forró, Lambadão: The Parallel Music of Brazil

Chapters in this book

1. Frontmatter i
2. Contents vii
3. Acknowledgments ix
4. Introduction. Music as Practice of Citizenship in Brazil 1
5. Dissonant Voices under a Regime of Order–Unity: Popular Music and Work in the Estado Novo 28
6. Orpheonic Chant and the Construction of Childhood in Brazilian Elementary Education 44
7. Farewell to MPB 64
8. From Mr. Citizen to Defective Android: Tom Zé and Citizenship in Brazil 74
9. Rude Poetics of the 1980s: The Politics and Aesthetics of Os Titãs 96
10. “We Live Daily in Two Countries”: Audiotopias of Postdictatorship Brazil 109
11. Soundtracking Landlessness: Music and Rurality in the Movimento dos Trabalhadores Rurais Sem Terra 131
12. Zhen Brasil’s Japanese Brazilian Groove 155
13. Embodying the Favela: Representation, Mediation, and Citizenship in the Music of Bezerra da Silva 172
14. Hip-Hop in São Paulo: Identity, Community Formation, and Social Action 188
15. “Conquistando Espaço”: Hip-Hop Occupations of São Paulo 205
16. Funk Music Made in Brazil: Media and Moral Panic 223
17. Technobrega, Forró, Lambadão: The Parallel Music of Brazil 240
18. “Tradition as Adventure”: Black Music, New Afro- Descendant Subjects, and Pluralization of Modernity in Salvador da Bahia 250
19. Modernity, Agency, and Sexuality in the Pagode Baiano 267
20. Candeal and Carlinhos Brown: Social and Musical Contexts of an Afro-Brazilian Community 278
21. Of Mud Huts and Modernity: The Performance of Civic Progress at Arcoverde’s São João Festival 291
22. Mangue Beat Music and the Coding of Citizenship in Sound 313
23. Works Cited 331
24. Contributors 353
25. Index 357