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Surfer Girls in the New World Order
Language:
English
Published/Copyright:
2010
About this book
Explores surfing as a local and global subculture, looking at how the culture of surfing has affected and been affected by girls, from baby boomers to members of Generation Y.
Author / Editor information
Krista Comer is an Associate Professor of English at Rice University. She is the author of Landscapes of the New West: Gender and Geography in Contemporary Women’s Writing.
Reviews
“Immersing herself in girl surf culture, Comer has constructed an accessible body of research that, while very readable, offers a fiercely intelligent commentary. . . . Surfer Girls in the New World Order is thorough and acute; Comer situates her argument in the lived experiences of surfer girls and women while also drawing important connections to surfing’s place in the broader context of social and economic ideologies.” - Alicia Sowisdral, Elevate Difference
“This fabulous book on women and the sport of surfing is the result of more than a decade of field research in multiple locations around the globe. . . . She expertly navigates the waves of feminism. . . . Analysis of popular culture rounds out this lovely book. . . . Highly recommended.” - A. N. Valdivia, CHOICE
“Surfer girls in the new world order is clearly a product of passion. The enthusiasm and energy Krista Comer displays for this research, for women’s surfing and for the potential she sees for the development of feminist ways of knowing and politics through both local and global surfing cultural experiences, are both obvious and infectious. In particular, it is the discussions and conversations that Comer has spent so much time in engaging in with women in and around the surfing culture that contribute the most to the effectiveness of this book, and which distinguish it in important ways from other work in this area.” - Rebecca Olive, Gender, Place & Culture
“Krista Comer’s Surfer Girls in the New World Order exemplifies the most prominent theoretical trends that are transforming contemporary western studies. . . . Challenging Baywatch stereotypes, Comer reinterprets surf culture as resolutely, albeit imperfectly, political, transnational, environmentalist, multiculturalist, and feminist. With these bold reinterpretations, Comer encourages serious reconsideration of—if not outright debate about—surf culture’s larger cultural and political significance.” - Robert Bennett, Western American Literature
“This is a book that you wish you wrote... and not just because it is winning awards (notably, the Western Literature Association's Thomas J. Lyon Book Award), but because its theoretical sophistication blends perfectly with attentive close readings in ways that all scholars strive for.” - Simon C. Estok, Interdisciplinary Studies in Literature and Environment
“Surfer Girls in the New World Order is fantastic. The only book that I know of to address girls’ and women’s surfing from an analytical perspective, it opens into provocative questions about globalization and its discontents, ‘ecotourism’ and the surf safari, and conflicting paradigms of gender, economics, race, and culture.”—Leslie Heywood, author of Pretty Good for a Girl: An Athlete’s Story
“Surfer Girls in the New World Order is a timely, deftly organized, and compellingly readable study that is at once participatory, original, informed, intellectually sexy, and new.”—Rob Wilson, author of Reimagining the American Pacific: From South Pacific to Bamboo Ridge and Beyond
“Comer’s book is a must read for scholars interested in the complexities of gender, race, culture, and globalization in sports. This is certain to be a generative study of surfing, one attentive to the possibilities and limits of women’s surfing as a globalized, ecofeminist, girl-powered endeavor.”
-- Brett Mizelle Southern California Quarterly
“Immersing herself in girl surf culture, Comer has constructed an accessible body of research that, while very readable, offers a fiercely intelligent commentary. . . . Surfer Girls in the New World Order is thorough and acute; Comer situates her argument in the lived experiences of surfer girls and women while also drawing important connections to surfing’s place in the broader context of social and economic ideologies.”
-- Alicia Sowisdral Elevate Difference
“Krista Comer’s Surfer Girls in the New World Order exemplifies the most prominent theoretical trends that are transforming contemporary western studies. . . . Challenging Baywatch stereotypes, Comer reinterprets surf culture as resolutely, albeit imperfectly, political, transnational, environmentalist, multiculturalist, and feminist. With these bold reinterpretations, Comer encourages serious reconsideration of—if not outright debate about—surf culture’s larger cultural and political significance.”
-- Robert Bennett Western American Literature
“This fabulous book on women and the sport of surfing is the result of more than a decade of field research in multiple locations around the globe. . . . She expertly navigates the waves of feminism. . . . Analysis of popular culture rounds out this lovely book. . . . Highly recommended.”
-- A. N. Valdivia Choice
“This is a book that you wish you wrote... and not just because it is winning awards (notably, the Western Literature Association's Thomas J. Lyon Book Award), but because its theoretical sophistication blends perfectly with attentive close readings in ways that all scholars strive for.”
-- Simon C. Estok, Interdisciplinary Studies in Literature and Environment
Topics
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Frontmatter
i -
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Contents
vii -
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Acknowledgments
ix -
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Introduction Critical Localisms in a Globalized World
1 - Part I. California Goes Global
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ONE Californians in Diaspora
35 -
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TWO Wanting to Be Lisa
76 - Part II. Globalization from Below
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THREE The Politics of Play
117 -
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FOUR Countercultural Places
162 -
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FIVE Surfing the New World Order
205 -
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Notes
231 -
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Bibliography
257 -
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Index
271
Publishing information
Pages and Images/Illustrations in book
eBook published on:
September 28, 2010
eBook ISBN:
9780822393153
Pages and Images/Illustrations in book
Main content:
292
Other:
67 b&w illustrations
