Chapter
Publicly Available
Acknowledgments
-
Omise’eke Natasha Tinsley
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction: The Spring of Her Look 1
- 1. “Rose is my mama, stanfaste is my papa”: Hybrid Landscapes and Sexualities in Surinamese Women’s Oral Poetry 29
- 2. Darkening the Lily: The Erotics of Self-Making in Eliot Bliss’s Luminous Isle 68
- 3. Blue Countries, Dark Beauty: Opaque Desires in the Poetry of Ida Faubert 102
- 4. At the River of Washerwomen: Work, Water, and Sexual Fluidity in Mayotte Capécia’s I Am a Martinican Woman 136
- 5. Transforming Sugar, Transitioning Revolution: Male Womanhood and Lesbian Eroticism in Michelle Cliff ’s No Telephone to Heaven 169
- 6. Breaking Hard against Things: Crossing between Sexual and Revolutionary Politics in Dionne Brand’s No Language Is Neutral 201
- Notes 233
- Bibliography 257
- Index 269
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction: The Spring of Her Look 1
- 1. “Rose is my mama, stanfaste is my papa”: Hybrid Landscapes and Sexualities in Surinamese Women’s Oral Poetry 29
- 2. Darkening the Lily: The Erotics of Self-Making in Eliot Bliss’s Luminous Isle 68
- 3. Blue Countries, Dark Beauty: Opaque Desires in the Poetry of Ida Faubert 102
- 4. At the River of Washerwomen: Work, Water, and Sexual Fluidity in Mayotte Capécia’s I Am a Martinican Woman 136
- 5. Transforming Sugar, Transitioning Revolution: Male Womanhood and Lesbian Eroticism in Michelle Cliff ’s No Telephone to Heaven 169
- 6. Breaking Hard against Things: Crossing between Sexual and Revolutionary Politics in Dionne Brand’s No Language Is Neutral 201
- Notes 233
- Bibliography 257
- Index 269