Acknowledgments

Monica L. Miller

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Acknowledgments

Monica L. Miller

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Miller, Monica L.. "Acknowledgments". Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity, New York, USA: Duke University Press, 2009, pp. xi-xvi. https://doi.org/10.1515/9780822391517-002

Miller, M. (2009). Acknowledgments. In Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity (pp. xi-xvi). New York, USA: Duke University Press. https://doi.org/10.1515/9780822391517-002

Miller, M. 2009. Acknowledgments. Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity. New York, USA: Duke University Press, pp. xi-xvi. https://doi.org/10.1515/9780822391517-002

Miller, Monica L.. "Acknowledgments" In Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity, xi-xvi. New York, USA: Duke University Press, 2009. https://doi.org/10.1515/9780822391517-002

Miller M. Acknowledgments. In: Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity. New York, USA: Duke University Press; 2009. p.xi-xvi. https://doi.org/10.1515/9780822391517-002

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Chapters in this book

Frontmatter i
Contents ix
Acknowledgments xi
Introduction. Stylin’ Out 1
Chapter One. Mungo Macaroni: The Slavish Swell 27
Chapter Two. Crimes of Fashion: Dressing the Part from Slavery to Freedom 77
Chapter Three. W. E. B. Du Bois’s “Different” Diasporic Race Man 137
Chapter Four. “Passing Fancies”: Dandyism, Harlem Modernism, and the Politics of Visuality 176
Chapter Five. “You Look Beautiful Like That”: Black Dandyism and Visual Histories of Black Cosmopolitanism 219
Notes 291
Bibliography 347
Index 371

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https://doi.org/10.1515/9780822391517-002

Chapters in this book

Frontmatter i
Contents ix
Acknowledgments xi
Introduction. Stylin’ Out 1
Chapter One. Mungo Macaroni: The Slavish Swell 27
Chapter Two. Crimes of Fashion: Dressing the Part from Slavery to Freedom 77
Chapter Three. W. E. B. Du Bois’s “Different” Diasporic Race Man 137
Chapter Four. “Passing Fancies”: Dandyism, Harlem Modernism, and the Politics of Visuality 176
Chapter Five. “You Look Beautiful Like That”: Black Dandyism and Visual Histories of Black Cosmopolitanism 219
Notes 291
Bibliography 347
Index 371

Acknowledgments

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