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Introduction
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Kapitel in diesem Buch
- Frontmatter i
- CONTENTS v
- Acknowledgments vii
- Foreword: What Affects Are Good For ix
- Introduction 1
- The Parched Tongue 34
- Techno-Cinema: Image Matters in the Affective Unfoldings of Analog Cinema and New Media 47
- Slowness: Notes toward an Economy of Différancial Rates of Being 77
- Myocellular Transduction: When My Cells Trained My Body-Mind 106
- Women’s Work and the Ambivalent Gift of Entropy 119
- Voices from the Teum: Synesthetic Trauma and the Ghosts of the Korean Diaspora 151
- In Calcutta, Sex Workers Organize 170
- More Than a Job: Meaning, Affect, and Training Health Care Workers 187
- Haunting Orpheus: Problems of Space and Time in the Desert 209
- Always on Display: Affective Production in the Modeling Industry 231
- The Wire 261
- Losses and Returns: The Soldier in Trauma 264
- Bibliography 287
- Contributors 303
- Index 305
Kapitel in diesem Buch
- Frontmatter i
- CONTENTS v
- Acknowledgments vii
- Foreword: What Affects Are Good For ix
- Introduction 1
- The Parched Tongue 34
- Techno-Cinema: Image Matters in the Affective Unfoldings of Analog Cinema and New Media 47
- Slowness: Notes toward an Economy of Différancial Rates of Being 77
- Myocellular Transduction: When My Cells Trained My Body-Mind 106
- Women’s Work and the Ambivalent Gift of Entropy 119
- Voices from the Teum: Synesthetic Trauma and the Ghosts of the Korean Diaspora 151
- In Calcutta, Sex Workers Organize 170
- More Than a Job: Meaning, Affect, and Training Health Care Workers 187
- Haunting Orpheus: Problems of Space and Time in the Desert 209
- Always on Display: Affective Production in the Modeling Industry 231
- The Wire 261
- Losses and Returns: The Soldier in Trauma 264
- Bibliography 287
- Contributors 303
- Index 305