Conclusion

Chapters in this book

1. Frontmatter i
2. Contents vii
3. Preface ix
4. Acknowledgments xiii
5. Introduction: Jazz, Europe, Americanization 1
6. ONE. New Orleans Jazz, Protest (Aldermaston), and Carnival (Beaulieu) 45
7. TWO. Whiteness and (British) Jazz 87
8. THREE. Jazz of the Black Atlantic and the Commonwealth 129
9. FOUR. The Politics and Performance of Improvisation and Contemporary Jazz in the 1960s and 1970s 191
10. FIVE. From ‘‘Male Music’’ to Feminist Improvising 243
11. Conclusion 297
12. Notes 305
13. Bibliography 333
14. Index 349