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        Prophets of the Hood
Politics and Poetics in Hip Hop
            
        
    
    
    
    
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        Imani Perry
        
                        
                            Language:
                        
                        English
                    
                
                
                
                    
                        
                            Published/Copyright:
                            
                                2004
                            
                        
                    
                
            About this book
Focuses on the socially relevant aspects of Hip Hop music: its treatment of the identity of the black subject in a white society, new definitions of blackness and its commercialization.
Author / Editor information
Imani Perry is a Professor in the Center for African American Studies at Princeton University.
Reviews
“Prophets of the Hood is the most comprehensive and intellectually original study to date of hip hop as a complex and innovative literary narrative form. Written with a refreshing blend of savvy critical rigor and brave and imaginative narrative verve, Imani Perry’s study is an impressive analysis of late-twentieth-century American popular culture.”—Daphne A. Brooks, Princeton University
“Imani Perry has written the most subtle and nuanced treatment of hip hop that I know. Her complex view of hip hop as black democratic space subject to prophetic utterance and mainstream cooptation is powerful. Her call for the local engagement and global vision of the underground to revitalize hip hop is compelling. Her seminal work should silence all naive or ignorant trashers of this vital cultural form!”—Cornel West, Princeton University
“Imani Perry’s Prophets of the Hood is an extraordinary and brilliant book. Eschewing a rigid division between the ‘positive’ and ‘negative’ in hip hop, she takes the discussion of rap to new depths and greater heights with a probing analysis of the poetic and political dimensions of the art form. With lucid explanations, crisp writing, and sharp analysis, Perry has managed to actually say some very important things in a strikingly fresh manner. With the storytelling skills of Nas, the passion of Tupac, the lyrical dexterity of Lauryn Hill, the verbal mastery of Talib Kweli, and the conceptual acuity of krs-One, Perry has produced a stunning, magnificent work of art.”—Michael Eric Dyson, author of Holler if You Hear Me: Searching for Tupac Shakur
Topics
| Publicly Available Download PDF | i | 
| Publicly Available Download PDF | vii | 
| Publicly Available Download PDF | ix | 
| Requires Authentication Unlicensed Licensed | 1 | 
| Originalism and Identity in the Music Requires Authentication Unlicensed Licensed | 9 | 
| Art, Community, and Consciousness Requires Authentication Unlicensed Licensed | 38 | 
| Structure and Format in Hip Hop Compositions Requires Authentication Unlicensed Licensed | 58 | 
| Hip Hop Narratives, American Law, and the Court of Public Opinion Requires Authentication Unlicensed Licensed | 102 | 
| Reading Masculinity Requires Authentication Unlicensed Licensed | 117 | 
| Negotiating Spaces for Women Requires Authentication Unlicensed Licensed | 155 | 
| Consumerism and Co-optation in Hip Hop Requires Authentication Unlicensed Licensed | 191 | 
| Requires Authentication Unlicensed Licensed | 205 | 
| Requires Authentication Unlicensed Licensed | 223 | 
Publishing information
                
                Pages and Images/Illustrations in book
                
                eBook published on:
                            November 30, 2004
                        
                        
                        eBook ISBN:
                        9780822386155
                    
                    
                    
                    
                    
                Pages and Images/Illustrations in book
                
                Main content:
                            248