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Text and the City
This chapter is in the book Text and the City
INDEXAkusho(evilplaces),7,75,80Alexander-Platz,299,300Alleyway,310,311,314–15,317Alt-Berlin(OldBerlin),307,312,313,315;andKöllndistricts,309;andKöllnquarter,307AminoYoshihiko,7;onasyl(sanctu-ary),34;muenjo,34AonoSuekichi,4,179,196–97,249;onKikuchiKan,190,198;onproletarianliterature,166;‘‘WhatWomenWantinLiterature’’(‘‘Joseinobungakutekiyōkyū’’),165,195–96;onwomen’sreadership,172Aoyama,99,334ArcdeTriomphe,284,285ArishimaTakeo,193;One Manifesto(Sengen hitotsu),189ArmyOfficers’Academy(Shikangakkō), 330Art(bijutsu),256Asahi Shimbun,148,172AsaiRyōi:Chronicle of the Famous Placesof Edo(Edo meishoki),73–74AsakuraMusei,150Asakusa,7,44,78,121,146,148,149,150,151,153,156;inThe Crim-son Gang of Asakusa(AsakusaKurenaidan),156;FifthDistrict,150;FourthDistrict,148,149,150;andgangsters,155;asgateway,149;massentertainmentand,9;Rokku(SixthDistrict),149,150,151;andshadows,153;astheater,152;watermythand,157;theworldand,150AsakusaSubwayStationRestaurant,155,157,158Azabu,101Backstreet,312–14BacksteetGang(inTakekurabe),121,127,130,133Baedeker’sGuide Book,280,283;Berlinand Its Environs,299,309Bakufu,30,285Balzac:Père Goriot,303Barthes,Roland,4,7,336;Elements ofSemiology,77;andmapping,15Bastille,29BattleofGettysburg,150Baudelaire,283Beckford,William:Va t h e k,25,57.SeealsoGothicnovelBenjamin,Walter,299;onanecdotalform,73;onflâneur,2;‘‘LittleHis-toryof Photography,’’319Tseng 2004.2.6 13:12 7035 Ai / TEXT AND THE CITY / sheet393 of 408
© 2020 Duke University Press, Durham, USA

INDEXAkusho(evilplaces),7,75,80Alexander-Platz,299,300Alleyway,310,311,314–15,317Alt-Berlin(OldBerlin),307,312,313,315;andKöllndistricts,309;andKöllnquarter,307AminoYoshihiko,7;onasyl(sanctu-ary),34;muenjo,34AonoSuekichi,4,179,196–97,249;onKikuchiKan,190,198;onproletarianliterature,166;‘‘WhatWomenWantinLiterature’’(‘‘Joseinobungakutekiyōkyū’’),165,195–96;onwomen’sreadership,172Aoyama,99,334ArcdeTriomphe,284,285ArishimaTakeo,193;One Manifesto(Sengen hitotsu),189ArmyOfficers’Academy(Shikangakkō), 330Art(bijutsu),256Asahi Shimbun,148,172AsaiRyōi:Chronicle of the Famous Placesof Edo(Edo meishoki),73–74AsakuraMusei,150Asakusa,7,44,78,121,146,148,149,150,151,153,156;inThe Crim-son Gang of Asakusa(AsakusaKurenaidan),156;FifthDistrict,150;FourthDistrict,148,149,150;andgangsters,155;asgateway,149;massentertainmentand,9;Rokku(SixthDistrict),149,150,151;andshadows,153;astheater,152;watermythand,157;theworldand,150AsakusaSubwayStationRestaurant,155,157,158Azabu,101Backstreet,312–14BacksteetGang(inTakekurabe),121,127,130,133Baedeker’sGuide Book,280,283;Berlinand Its Environs,299,309Bakufu,30,285Balzac:Père Goriot,303Barthes,Roland,4,7,336;Elements ofSemiology,77;andmapping,15Bastille,29BattleofGettysburg,150Baudelaire,283Beckford,William:Va t h e k,25,57.SeealsoGothicnovelBenjamin,Walter,299;onanecdotalform,73;onflâneur,2;‘‘LittleHis-toryof Photography,’’319Tseng 2004.2.6 13:12 7035 Ai / TEXT AND THE CITY / sheet393 of 408
© 2020 Duke University Press, Durham, USA

Chapters in this book

  1. Frontmatter i
  2. CONTENTS v
  3. Acknowledgments vii
  4. Foreword: A Walker in the City: Maeda Ai and the Mapping of Urban Space xi
  5. Introduction: Refiguring the Modern: Maeda Ai and the City 1
  6. LIGHT CITY, DARK CITY: VISUALIZING THE MODERN
  7. 1. Utopia of the Prisonhouse: A Reading of In Darkest Tokyo 21
  8. 2. The Panorama of Enlightenment 65
  9. 3. The Spirits of Abandoned Gardens: On Nagai Kafū’s ‘‘The Fox’’ 91
  10. PLAY, SPACE, AND MASS CULTURE
  11. 4. Their Time as Children: A Study of Higuchi Ichiyō’s Growing Up (Takekurabe) 109
  12. 5. Asakusa as Theater: Kawabata Yasunari’s The Crimson Gang of Asakusa 145
  13. 6. The Development of Popular Fiction in the Late Taishō Era: Increasing Readership of Women’s Magazines 163
  14. TEXT, SPACE, VISUALITY
  15. 7. From Communal Performance to Solitary Reading: The Rise of the Modern Japanese Reader 223
  16. 8. Modern Literature and the World of Printing 255
  17. CROSSING BOUNDARIES IN URBAN SPACE
  18. 9. Ryūhoku in Paris 275
  19. 10. Berlin 1888: Mori Ōgai’s ‘‘Dancing Girl’’ 295
  20. 11. In the Recesses of the High City: On Sōseki’s Gate 329
  21. AFTERWORD 351
  22. Contributors 375
  23. Index 377
Readers are also interested in:
https://doi.org/10.1515/9780822385622-017

Chapters in this book

  1. Frontmatter i
  2. CONTENTS v
  3. Acknowledgments vii
  4. Foreword: A Walker in the City: Maeda Ai and the Mapping of Urban Space xi
  5. Introduction: Refiguring the Modern: Maeda Ai and the City 1
  6. LIGHT CITY, DARK CITY: VISUALIZING THE MODERN
  7. 1. Utopia of the Prisonhouse: A Reading of In Darkest Tokyo 21
  8. 2. The Panorama of Enlightenment 65
  9. 3. The Spirits of Abandoned Gardens: On Nagai Kafū’s ‘‘The Fox’’ 91
  10. PLAY, SPACE, AND MASS CULTURE
  11. 4. Their Time as Children: A Study of Higuchi Ichiyō’s Growing Up (Takekurabe) 109
  12. 5. Asakusa as Theater: Kawabata Yasunari’s The Crimson Gang of Asakusa 145
  13. 6. The Development of Popular Fiction in the Late Taishō Era: Increasing Readership of Women’s Magazines 163
  14. TEXT, SPACE, VISUALITY
  15. 7. From Communal Performance to Solitary Reading: The Rise of the Modern Japanese Reader 223
  16. 8. Modern Literature and the World of Printing 255
  17. CROSSING BOUNDARIES IN URBAN SPACE
  18. 9. Ryūhoku in Paris 275
  19. 10. Berlin 1888: Mori Ōgai’s ‘‘Dancing Girl’’ 295
  20. 11. In the Recesses of the High City: On Sōseki’s Gate 329
  21. AFTERWORD 351
  22. Contributors 375
  23. Index 377
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