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Chapter 3 ‘‘We’come a Chinatowng, Folks!’’ Resisting Abjection
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Karen Shimakawa
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Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction ‘‘It’s not right for a body to know his own origins,’ 1
- Chapter 1 ‘‘I should be—American!’’ Abjection and the Asian (American) Body 23
- Chapter 2 ‘‘The dance that’s happening’’ Performance, Politics, and Asian American Theatre Companies 57
- Chapter 3 ‘‘We’come a Chinatowng, Folks!’’ Resisting Abjection 77
- Chapter 4 ‘‘I’ll be here . . . right where you left me’’ Mimetic Abjection/Abject Mimicry 99
- Chapter 5 ‘‘Whose history is this, anyway?’’ Changing Geographies in Ping Chong’s East-West Quartet 129
- Afterword ‘‘Then we’ll have drama,’’ 159
- Notes 165
- References 179
- Index 189
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction ‘‘It’s not right for a body to know his own origins,’ 1
- Chapter 1 ‘‘I should be—American!’’ Abjection and the Asian (American) Body 23
- Chapter 2 ‘‘The dance that’s happening’’ Performance, Politics, and Asian American Theatre Companies 57
- Chapter 3 ‘‘We’come a Chinatowng, Folks!’’ Resisting Abjection 77
- Chapter 4 ‘‘I’ll be here . . . right where you left me’’ Mimetic Abjection/Abject Mimicry 99
- Chapter 5 ‘‘Whose history is this, anyway?’’ Changing Geographies in Ping Chong’s East-West Quartet 129
- Afterword ‘‘Then we’ll have drama,’’ 159
- Notes 165
- References 179
- Index 189