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Postmodernity in Latin America
The Argentine Paradigm
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Santiago Colás
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Herausgegeben von:
Stanley Fish
und Fredric Jameson
Sprache:
Englisch
Veröffentlicht/Copyright:
1994
Über dieses Buch
Postmodernity in Latin America contests the prevailing understanding of the relationship between postmodernity and Latin America by focusing on recent developments in Latin American, and particularly Argentine, political and literary culture. While European and North American theorists of postmodernity generally view Latin American fiction without regard for its political and cultural context, Latin Americanists often either uncritically apply the concept of postmodernity to Latin American literature and society or reject it in an equally uncritical fashion. The result has been both a limited understanding of the literature and an impoverished notion of postmodernity. Santiago Colás challenges both of these approaches and corrects their consequent distortions by locating Argentine postmodernity in the cultural dynamics of resistance as it operates within and against local expressions of late capitalism.
Focusing on literature, Colás uses Julio Cortázar’s Hopscotch to characterize modernity for Latin America as a whole, Manuel Puig’s Kiss of the Spider Woman to identify the transition to a more localized postmodernity, and Ricardo Piglia’s Artificial Respiration to exemplify the cultural coordinates of postmodernity in Argentina. Informed by the cycle of political transformation beginning with the Cuban Revolution, including its effects on Peronism, to the period of dictatorship, and finally to redemocratization, Colás’s examination of this literary progression leads to the reconstruction of three significant moments in the history of Argentina. His analysis provokes both a revised understanding of that history and the recognition that multiple meanings of postmodernity must be understood in ways that incorporate the complexity of regional differences.
Offering a new voice in the debate over postmodernity, one that challenges that debate’s leading thinkers, Postmodernity in Latin America will be of particular interest to students of Latin American literature and to scholars in all disciplines concerned with theories of the postmodern.
Focusing on literature, Colás uses Julio Cortázar’s Hopscotch to characterize modernity for Latin America as a whole, Manuel Puig’s Kiss of the Spider Woman to identify the transition to a more localized postmodernity, and Ricardo Piglia’s Artificial Respiration to exemplify the cultural coordinates of postmodernity in Argentina. Informed by the cycle of political transformation beginning with the Cuban Revolution, including its effects on Peronism, to the period of dictatorship, and finally to redemocratization, Colás’s examination of this literary progression leads to the reconstruction of three significant moments in the history of Argentina. His analysis provokes both a revised understanding of that history and the recognition that multiple meanings of postmodernity must be understood in ways that incorporate the complexity of regional differences.
Offering a new voice in the debate over postmodernity, one that challenges that debate’s leading thinkers, Postmodernity in Latin America will be of particular interest to students of Latin American literature and to scholars in all disciplines concerned with theories of the postmodern.
Information zu Autoren / Herausgebern
Santiago Colás is Assistant Professor of Spanish and Latin American literature at the University of Michigan, Ann Arbor.
Rezensionen
"Colás dares enter the postmodernism debate and ably takes on its leading thinkers. Not only literary critics and theoreticians, but historians, political scientists, and sociologists, too, will have to cite this study as an informed and solidly grounded foray into their respective disciplines."—Jonathan Tittler, Cornell University
"Santiago Colás’s book is one of the most richly nuanced contributions to the ‘postmodernism in Latin America’ debate yet to appear."—Neil Larsen, Northeastern University
Fachgebiete
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Frontmatter
i -
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Contents
vii -
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Preface and Acknowledgments
ix -
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1. Resisting Postmodernity
1 - I. Latin American Modernity
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2. Beyond Western Modernity? Rayuela as Critique
23 -
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3. Toward a Latin American Modernity: Rayuela, the Cuban Revolution, and the Leap
50 -
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4. Latin American Modernity in Crisis: El beso de la mujer arana and the Argentine National Left
76 -
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5. Beyond Valentin's Dream: From the Crisis of Latin American Modernity
100 - II. Argentine Postmodernity
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6. Resuscitating History in Respiracion artificial
121 -
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7. The Importance of Writing History; or, On Louis Bonaparte and Juan Peron
149 - III. Conclusion
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8. Speculations Toward Articulating Latin American Postmodernities
161 -
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Notes
173 -
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Bibliography
201 -
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Index
221
Informationen zur Veröffentlichung
Seiten und Bilder/Illustrationen im Buch
eBook veröffentlicht am:
7. November 1994
eBook ISBN:
9780822382669
Seiten und Bilder/Illustrationen im Buch
Inhalt:
240