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Crossing the Line
Racial Passing in Twentieth-Century U.S. Literature and Culture
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Edited by:
Language:
English
Published/Copyright:
2000
About this book
Examines constructions of racial identity through the exploration of passing narratives including Black Like Me and forties jazz musician Mezz Mezzrow’s memoir Really the Blues.
Author / Editor information
Gayle Wald is Assistant Professor of English at George Washington University.
Reviews
“Crossing the Line offers a superbly well-developed analysis of narratives of racial passing and a strategy for engaging such narratives. It will set the standard for subsequent treatments of racial passing.”—Dana Nelson, author of National Manhood: Capitalist Citizenship and the Imagined Fraternity of White Men
“Deeply engaging, well-researched, and effective, Crossing the Line is a fine multidisciplinary study not only of passing narratives but of the social, political, and economic struggles that they negotiate in racial terms.”— Priscilla Wald, author of Constituting Americans: Cultural Anxiety and Narrative Form
Topics
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Frontmatter
i -
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CONTENTS
v -
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Preface
vii -
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Acknowledgments
xi -
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Introduction: Race, Passing, and Cultural Representation
1 -
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Chapter 1. Home Again: Racial Negotiations in Modernist African American Passing Narratives
25 -
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Chapter 2. Mezz Mezzrow and the Voluntary Negro Blues
53 -
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Chapter 3. Boundaries Lost and Found: Racial Passing and Cinematic Representation, circa 1949
82 -
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Chapter 4. ‘‘I’m Through with Passing’’: Postpassing Narratives in Black Popular Literary Culture
116 -
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Chapter 5. ‘‘A Most Disagreeable Mirror’’: Reflections on White Identity in Black Like Me
152 -
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Epilogue: Passing, ‘‘Color Blindness,’’ and Contemporary Discourses of Race and Identity
182 -
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Notes
191 -
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Bibliography
227 -
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Index
241
Publishing information
Pages and Images/Illustrations in book
eBook published on:
July 24, 2000
eBook ISBN:
9780822380924
Pages and Images/Illustrations in book
Main content:
272
Other:
12 b&w photographs
This book is in the series