5. Subjectivity and Aesthetic Marxism: Toward a Cultural Topology of Postrevolutionary Society

Kang Liu

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5. Subjectivity and Aesthetic Marxism: Toward a Cultural Topology of Postrevolutionary Society

Kang Liu

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Liu, Kang. "5. Subjectivity and Aesthetic Marxism: Toward a Cultural Topology of Postrevolutionary Society". Aesthetics and Marxism: Chinese Aesthetic Marxists and Their Western Contemporaries, edited by Stanley Fish and Fredric Jameson, New York, USA: Duke University Press, 2000, pp. 149-191. https://doi.org/10.1515/9780822380535-007

Liu, K. (2000). 5. Subjectivity and Aesthetic Marxism: Toward a Cultural Topology of Postrevolutionary Society. In S. Fish & F. Jameson (Ed.), Aesthetics and Marxism: Chinese Aesthetic Marxists and Their Western Contemporaries (pp. 149-191). New York, USA: Duke University Press. https://doi.org/10.1515/9780822380535-007

Liu, K. 2000. 5. Subjectivity and Aesthetic Marxism: Toward a Cultural Topology of Postrevolutionary Society. In: Fish, S. and Jameson, F. ed. Aesthetics and Marxism: Chinese Aesthetic Marxists and Their Western Contemporaries. New York, USA: Duke University Press, pp. 149-191. https://doi.org/10.1515/9780822380535-007

Liu, Kang. "5. Subjectivity and Aesthetic Marxism: Toward a Cultural Topology of Postrevolutionary Society" In Aesthetics and Marxism: Chinese Aesthetic Marxists and Their Western Contemporaries edited by Stanley Fish and Fredric Jameson, 149-191. New York, USA: Duke University Press, 2000. https://doi.org/10.1515/9780822380535-007

Liu K. 5. Subjectivity and Aesthetic Marxism: Toward a Cultural Topology of Postrevolutionary Society. In: Fish S, Jameson F (ed.) Aesthetics and Marxism: Chinese Aesthetic Marxists and Their Western Contemporaries. New York, USA: Duke University Press; 2000. p.149-191. https://doi.org/10.1515/9780822380535-007

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Chapters in this book

Frontmatter i
Contents vi
Preface vii
Acknowledgments xv
1. Aesthetics, Modernity, and Alternative Modernity: The Case of China 1
2. The Formation of Marxist Aesthetics: From Shanghai to Yan9an 36
3. Hegemony and Counterhegemony: National Formand ‘‘Subjective Fighting Spirit’’ 72
4. Aesthetics, Ideology, and Cultural Reconstruction 111
5. Subjectivity and Aesthetic Marxism: Toward a Cultural Topology of Postrevolutionary Society 149
Notes 192
Bibliography 215
Index 225

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https://doi.org/10.1515/9780822380535-007

Chapters in this book

Frontmatter i
Contents vi
Preface vii
Acknowledgments xv
1. Aesthetics, Modernity, and Alternative Modernity: The Case of China 1
2. The Formation of Marxist Aesthetics: From Shanghai to Yan9an 36
3. Hegemony and Counterhegemony: National Formand ‘‘Subjective Fighting Spirit’’ 72
4. Aesthetics, Ideology, and Cultural Reconstruction 111
5. Subjectivity and Aesthetic Marxism: Toward a Cultural Topology of Postrevolutionary Society 149
Notes 192
Bibliography 215
Index 225

5. Subjectivity and Aesthetic Marxism: Toward a Cultural Topology of Postrevolutionary Society

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