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‘‘I Don’t Take Voice Mail’’
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Kapitel in diesem Buch
- Frontmatter i
- Contents v
- M/E/A/N/I/N/G: Feminism, Theory, and Art Practice ix
- Introduction 1
-
I / FEMINISM AND ART
- ‘‘Post-Feminism’’—A Remasculinization of Culture? 7
- Appropriated Sexuality 24
- Why We Need ‘‘Bad Girls’’ Rather Than ‘‘Good’’ Ones! 37
- Letter on Good Girls, Bad Girls, and Bad Boys 46
- A Conversation on Censorship with Carolee Schneemann 51
- Aesthetic and Postmenopausal Pleasures 59
- just a sketch . . . 68
- A Conversation on Lesbian Subjectivity and Painting with Deborah Kass 79
- Monstrous Domesticity 87
-
II / THE POLITICS OF MEANING AND REPRESENTATION
- For M/E/A/N/I/N/G 107
- Figure/Ground 113
- The Critic Is (?) Artist 127
- 12 Questions of Art 131
- Some Remarks on Racism in the American Arts 145
- The Success of Failure 155
- Visual Pleasure: A Feminist Perspective 163
- ‘‘I Don’t Take Voice Mail’’ 175
-
III / SELECTIONS FROM THE FORUMS
- On Authenticity and Meaning 187
- Contemporary Views on Racism in the Arts 204
- Over Time: A Forum on Art Making 233
- On Motherhood, Art, and Apple Pie 252
- Working Conditions: A Forum on Art and Everyday Life by Younger Artists 303
- On Creativity and Community 317
-
IV / ARTISTS’ MUSINGS
- Mother Baseball 341
- Bats 347
- The Discovered Uncovered 350
- Running on Empty: An Artist’s Life in New York 352
- Reorganized Meditations on Mnemonic Threshold 355
- The Critic and the Hare: Meditations on the Death of My Rabbit 357
- September 21, 1989 360
- Alison Knowles: An Interview 362
- Media Baptisms 369
-
V / ARTISTS IN PERSPECTIVE
- Florine Stettheimer: Eccentric Power, Invisible Tradition 375
- Cartoons of the Self: Portrait of the Artist as a Young Murderer—Art Spiegelman’s Maus 388
- Nancy Spero: Speaking in Tongues 405
- Muse Begets Crone: On Leonora Carrington 418
- Painting after Painting: The Paintings of Susan Bee 423
- When the Stars Threw Down Their Spears: An Interview with Thomas McEvilley 434
- Appendix: Contents of M/E/A/N/I/N/G 447
- Contributors 451
- Index 461
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- M/E/A/N/I/N/G: Feminism, Theory, and Art Practice ix
- Introduction 1
-
I / FEMINISM AND ART
- ‘‘Post-Feminism’’—A Remasculinization of Culture? 7
- Appropriated Sexuality 24
- Why We Need ‘‘Bad Girls’’ Rather Than ‘‘Good’’ Ones! 37
- Letter on Good Girls, Bad Girls, and Bad Boys 46
- A Conversation on Censorship with Carolee Schneemann 51
- Aesthetic and Postmenopausal Pleasures 59
- just a sketch . . . 68
- A Conversation on Lesbian Subjectivity and Painting with Deborah Kass 79
- Monstrous Domesticity 87
-
II / THE POLITICS OF MEANING AND REPRESENTATION
- For M/E/A/N/I/N/G 107
- Figure/Ground 113
- The Critic Is (?) Artist 127
- 12 Questions of Art 131
- Some Remarks on Racism in the American Arts 145
- The Success of Failure 155
- Visual Pleasure: A Feminist Perspective 163
- ‘‘I Don’t Take Voice Mail’’ 175
-
III / SELECTIONS FROM THE FORUMS
- On Authenticity and Meaning 187
- Contemporary Views on Racism in the Arts 204
- Over Time: A Forum on Art Making 233
- On Motherhood, Art, and Apple Pie 252
- Working Conditions: A Forum on Art and Everyday Life by Younger Artists 303
- On Creativity and Community 317
-
IV / ARTISTS’ MUSINGS
- Mother Baseball 341
- Bats 347
- The Discovered Uncovered 350
- Running on Empty: An Artist’s Life in New York 352
- Reorganized Meditations on Mnemonic Threshold 355
- The Critic and the Hare: Meditations on the Death of My Rabbit 357
- September 21, 1989 360
- Alison Knowles: An Interview 362
- Media Baptisms 369
-
V / ARTISTS IN PERSPECTIVE
- Florine Stettheimer: Eccentric Power, Invisible Tradition 375
- Cartoons of the Self: Portrait of the Artist as a Young Murderer—Art Spiegelman’s Maus 388
- Nancy Spero: Speaking in Tongues 405
- Muse Begets Crone: On Leonora Carrington 418
- Painting after Painting: The Paintings of Susan Bee 423
- When the Stars Threw Down Their Spears: An Interview with Thomas McEvilley 434
- Appendix: Contents of M/E/A/N/I/N/G 447
- Contributors 451
- Index 461