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3 Sepia Mutiny
Colonial Photography and Its Others in India
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Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Acknowledgments vii
- Introduction 1
-
PART I. Touchy-Feely
- 1 Photography between Desire and Grief 27
- 2 Making Sexuality Sensible 47
- 3 Sepia Mutiny 71
- 4 Skin, Flesh, and the Affective Wrinkles of Civil Rights Photography 93
-
PART II. Intimacy and Sentiment
- 5 Looking Pleasant, Feeling White 125
- 6 Anticipating Citizenship 158
- 7 Regarding the Pain of the Other 181
- 8 Accessible Feelings, Modern Looks 204
-
PART III. Affective Archives
- 9 Trauma in the Archive 237
- 10 School Photos and Their Afterlives 252
- 11 Photographing Objects as Queer Archival Practice 273
- 12 Topographies of Feeling 297
- 13 The Feeling of Photography, the Feeling of Kinship 325
- Epilogue 349
- Bibliography 357
- Contributors 385
- Index 389
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Acknowledgments vii
- Introduction 1
-
PART I. Touchy-Feely
- 1 Photography between Desire and Grief 27
- 2 Making Sexuality Sensible 47
- 3 Sepia Mutiny 71
- 4 Skin, Flesh, and the Affective Wrinkles of Civil Rights Photography 93
-
PART II. Intimacy and Sentiment
- 5 Looking Pleasant, Feeling White 125
- 6 Anticipating Citizenship 158
- 7 Regarding the Pain of the Other 181
- 8 Accessible Feelings, Modern Looks 204
-
PART III. Affective Archives
- 9 Trauma in the Archive 237
- 10 School Photos and Their Afterlives 252
- 11 Photographing Objects as Queer Archival Practice 273
- 12 Topographies of Feeling 297
- 13 The Feeling of Photography, the Feeling of Kinship 325
- Epilogue 349
- Bibliography 357
- Contributors 385
- Index 389