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4. LA VIRGEN AND L A PELONA
Film Culture, Border Crossing, and the Modern Mexican Woman
-
Laura Isabel Serna
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Chapters in this book
- Frontmatter i
- CONTENTS ix
- A NOTE ON TRANSLATIONS AND FILM TITLES xi
- PRÓLOGO (PROLOGUE) xiii
- ACKNOWLEDGMENTS xv
- INTRODUCTION 1
-
PART I. THE YANQUI INVASION
- 1. U.S. MOTION PICTURE COMPANIES GO SOUTH OF THE BORDER 19
- 2. AMERICAN MOVIES, MEXICAN MODERNITY 47
- 3. IN LOLA’S HOUSE 85
-
PART II. BORDER CROSSINGS
- 4. LA VIRGEN AND L A PELONA 123
- 5. DENIGRATING PICTURES 154
- 6. AL CINE 180
- CONCLUSION 215
- ABBREVIATIONS OF FREQUENTLY CITED SOURCES 223
- NOTES 225
- BIBLIOGRAPHY 279
- FILMOGRAPHY 303
- INDEX 309
Chapters in this book
- Frontmatter i
- CONTENTS ix
- A NOTE ON TRANSLATIONS AND FILM TITLES xi
- PRÓLOGO (PROLOGUE) xiii
- ACKNOWLEDGMENTS xv
- INTRODUCTION 1
-
PART I. THE YANQUI INVASION
- 1. U.S. MOTION PICTURE COMPANIES GO SOUTH OF THE BORDER 19
- 2. AMERICAN MOVIES, MEXICAN MODERNITY 47
- 3. IN LOLA’S HOUSE 85
-
PART II. BORDER CROSSINGS
- 4. LA VIRGEN AND L A PELONA 123
- 5. DENIGRATING PICTURES 154
- 6. AL CINE 180
- CONCLUSION 215
- ABBREVIATIONS OF FREQUENTLY CITED SOURCES 223
- NOTES 225
- BIBLIOGRAPHY 279
- FILMOGRAPHY 303
- INDEX 309