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4. LA VIRGEN AND L A PELONA

Film Culture, Border Crossing, and the Modern Mexican Woman
  • Laura Isabel Serna
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Making Cinelandia
This chapter is in the book Making Cinelandia
© 2020 Duke University Press, Durham, USA

© 2020 Duke University Press, Durham, USA

Chapters in this book

  1. Frontmatter i
  2. CONTENTS ix
  3. A NOTE ON TRANSLATIONS AND FILM TITLES xi
  4. PRÓLOGO (PROLOGUE) xiii
  5. ACKNOWLEDGMENTS xv
  6. INTRODUCTION 1
  7. PART I. THE YANQUI INVASION
  8. 1. U.S. MOTION PICTURE COMPANIES GO SOUTH OF THE BORDER 19
  9. 2. AMERICAN MOVIES, MEXICAN MODERNITY 47
  10. 3. IN LOLA’S HOUSE 85
  11. PART II. BORDER CROSSINGS
  12. 4. LA VIRGEN AND L A PELONA 123
  13. 5. DENIGRATING PICTURES 154
  14. 6. AL CINE 180
  15. CONCLUSION 215
  16. ABBREVIATIONS OF FREQUENTLY CITED SOURCES 223
  17. NOTES 225
  18. BIBLIOGRAPHY 279
  19. FILMOGRAPHY 303
  20. INDEX 309
https://doi.org/10.1515/9780822376798-008

Chapters in this book

  1. Frontmatter i
  2. CONTENTS ix
  3. A NOTE ON TRANSLATIONS AND FILM TITLES xi
  4. PRÓLOGO (PROLOGUE) xiii
  5. ACKNOWLEDGMENTS xv
  6. INTRODUCTION 1
  7. PART I. THE YANQUI INVASION
  8. 1. U.S. MOTION PICTURE COMPANIES GO SOUTH OF THE BORDER 19
  9. 2. AMERICAN MOVIES, MEXICAN MODERNITY 47
  10. 3. IN LOLA’S HOUSE 85
  11. PART II. BORDER CROSSINGS
  12. 4. LA VIRGEN AND L A PELONA 123
  13. 5. DENIGRATING PICTURES 154
  14. 6. AL CINE 180
  15. CONCLUSION 215
  16. ABBREVIATIONS OF FREQUENTLY CITED SOURCES 223
  17. NOTES 225
  18. BIBLIOGRAPHY 279
  19. FILMOGRAPHY 303
  20. INDEX 309
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