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Lori Jo Marso
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Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgments vii
- Introduction: Our Beauvoir 1
- 1. (Re)Encountering The Second Sex 17
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PART I. ENEMIES MONSTERS, MEN, AND MISOGYNIST ART
- 2. “An Eye for an Eye” with Hannah Arendt’s Eichmann in Jerusalem 37
- 3. The Marquis de Sade’s Bodies in Lars von Trier’s Antichrist 67
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PART II. ALLIES ANTINOMIES OF ACTION IN CONDITIONS OF VIOLENCE
- 4. Violence, Pathologies, and Resistance in Frantz Fanon 93
- 5. In Solidarity with Richard Wright 122
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PART III. FRIENDS CONVERSATIONS THAT CHANGE THE RULES
- PART III. FRIENDS CONVERSATIONS THAT CHANGE THE RULES 149
- 6. Perverse Protests from Chantal Akerman to Lars von Trier 149
- 7. Unbecoming Women with Violette Leduc, Rahel Varnhagen, and Margarethe von Trotta 176
- Conclusion: A Happy Ending 203
- Notes 209
- References 235
- Index 247
Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgments vii
- Introduction: Our Beauvoir 1
- 1. (Re)Encountering The Second Sex 17
-
PART I. ENEMIES MONSTERS, MEN, AND MISOGYNIST ART
- 2. “An Eye for an Eye” with Hannah Arendt’s Eichmann in Jerusalem 37
- 3. The Marquis de Sade’s Bodies in Lars von Trier’s Antichrist 67
-
PART II. ALLIES ANTINOMIES OF ACTION IN CONDITIONS OF VIOLENCE
- 4. Violence, Pathologies, and Resistance in Frantz Fanon 93
- 5. In Solidarity with Richard Wright 122
-
PART III. FRIENDS CONVERSATIONS THAT CHANGE THE RULES
- PART III. FRIENDS CONVERSATIONS THAT CHANGE THE RULES 149
- 6. Perverse Protests from Chantal Akerman to Lars von Trier 149
- 7. Unbecoming Women with Violette Leduc, Rahel Varnhagen, and Margarethe von Trotta 176
- Conclusion: A Happy Ending 203
- Notes 209
- References 235
- Index 247