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Duke University Press

book: The End of Japanese Cinema
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The End of Japanese Cinema

Industrial Genres, National Times, and Media Ecologies
Language: English
Published/Copyright: 2017

About this book

In The End of Japanese Cinema Alexander Zahlten traces the evolution of a new form of holistic media studies—media ecology—through historical overview and analysis of Japanese film and industry from the 1960s to the 2000s.

Author / Editor information

Alexander Zahlten is Associate Professor of East Asian Languages and Civilizations at Harvard University and coeditor of Media Theory in Japan, also published by Duke University Press.

Reviews

"A rich historical analysis. Recommended."

-- S. Pepper Choice

"Provocative."

-- Etsuo Kono Japan News

“Deeply thought-provoking. . . . Alexander Zahlten’s study represents a major scholarly contribution to the fields of Japanese film and media studies and allied disciplines. The End of Japanese Cinema is a remarkable achievement in the scholarship of film and media, both from and in Japan.”

-- Rea Amit Film Quarterly

The End of Japanese Cinema is an innovative account of some significant currents within modern Japanese film which have tended to be marginalised.”

-- Alexander Jacoby Sight & Sound

"Zahlten’s nuanced readings of these industrial genres introduce concepts and terms that will be used productively for years to come. This book is an important contribution and should be read widely by scholars of Japan studies and film and media studies, particularly those interested in contemporary Japan."

-- Charles Exley Journal of Japanese Studies

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Publishing information
Pages and Images/Illustrations in book
eBook published on:
September 29, 2017
eBook ISBN:
9780822372462
Pages and Images/Illustrations in book
Main content:
320
Other:
11 illustrations
This book is in the series
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