Kapitel in diesem Buch

1. Frontmatter i
2. Contents v
3. Preface. To Be Transparent: Seeing Directions and Connections in Black Lesbian Film ix
4. Introduction. The Sisters in the Life Archive Project 1
5. PART I. 1986–1995
6. Introduction 15
7. 1. Birth of a Notion: Toward Black, Gay, and Lesbian Imagery in Film and Video 21
8. 2. Narrating Our History: An Introduction 26
9. 3. Narrating Our History: Selections from a Dialogue among Queer Media Artists from the African Diaspora 29
10. 4. Construction of Computation and Desire: Introduction to Yvonne Welbon’s Interview with Pamela L. Jennings 47
11. 5. Ruins and Desire: Interview with Pamela L. Jennings, July 27, 2012 51
12. 6. the book of ruins and desire: Interactive Mechatronic Sculpture 63
13. 7. A Cosmic Demonstration of Shari Frilot’s Curatorial Practice 66
14. 8. Identity and Performance in Yvonne Welbon’s Remembering Wei-Yi Fang, Remembering Myself: An Autobiography 92
15. PART II. 1996–2016
16. Introduction 115
17. 9. Producing Black Lesbian Media 125
18. 10. Stereotypy, Mammy, and Recovery in Cheryl Dunye’s The Watermelon Woman 143
19. 11. Coquie Hughes: Urban Lesbian Filmmaker. Introduction to Yvonne Welbon’s Interview with Coquie Hughes 160
20. 12. Stepping Out on Faith: Interview with Coquie Hughes, July 27, 2012 165
21. 13. “Invite Me In!”: Angela Robinson at Hollywood’s Threshold 176
22. 14. Shine Louise Houston: An Interstice of Her Own Making 191
23. 15. From Rage to Resignation: Reading Tina Mabry’s Mississippi Damned as a Post–Civil Rights Response to Nina Simone’s “Mississippi Goddam” 205
24. 16. The Circuitous Route of Presenting Black Butch: The Travels of Dee Rees’s Pariah 225
25. 17. Creating the World Anew: Black Lesbian Legacies and Queer Film Futures 249
26. Acknowledgments 261
27. Selected Bibliography 263
28. Contributors 269
29. Index 273