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Conclusion
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Hannan Hever
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Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgments ix
- Introduction 1
-
Part I Hebrew Symbolist Poetry During World War II
- 1. “The Real Has Become a Symbol” 11
- 2. The Dispute over War Poetry 17
- 3. Criticism of Nationalist Violence 22
- 4. Reading Nationalist Poetry Critically 26
- 5. Nationalism Anthologized 32
- 6. The Living-Dead in Joy of the Poor 37
- 7. Revenge on a Nationalist Scale 44
- 8. Leah Goldberg Writes War Poetry 48
- 9. The Duality of the Symbolist Woman Poet 54
- 10. The Living-Dead and the Female Body 58
- 11. Amir Gilboa: Boy Poet 62
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Part II Historical Analogy and National Allegory During the Holocaust
- 12. A Surprising Moral Judgment 75
- 13. The Uncommon Stance of a Major Poet 78
- 14. Critical Reception 81
- 15. A Postnationalist Reading 86
- 16. A Symbol, Not an Allegory 92
- 17. Allegory in The Poems of the Plagues of Egypt Versus Symbolism in Joy of the Poor 97
- 18. Allegory as a Nonhegemonic Stance 103
- 19. Alterman and the Memory of the Holocaust 110
- 20. The Father-Son Strategy 114
- 21. Blind Vengeance 119
- 22. Breaking the Cycle of Crime and Punishment 123
- 23. History of the Defeated 134
- 24. A Summer Quarrel 138
- 25. Ghetto Poems in the Streets of Tel-Aviv 146
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Part III Symbols of Death in the National War for Independence
- 26. Return of the Hegemonic Symbol 163
- 27. The Living-Dead in the Independence War 175
- 28. Amir Gilboa and the Subversion of the Symbol 178
- 29. Gilboa Versus the Metaphor of the Living-Dead 188
- 30. Poets as Reporters 193
- 31. Sorrow Petrified into Symbols 200
- 32. Hegemonic Strategies 207
- 33. From Reportage to Lyric 215
- 34. Women Write of Fallen Soldiers as Flesh and Blood 222
- 35. In the Service of National Subjectivity 225
- 36. Women and the Metaphor of the Living-Dead 229
- 37. Criticism of the Living-Dead Metaphor 236
- 38. The Authority and Power of Women 243
- 39. Popular Versus Canonical Mourning 251
- 40. The Secrets and Power of Women 253
- Conclusion 259
- Index 261
Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgments ix
- Introduction 1
-
Part I Hebrew Symbolist Poetry During World War II
- 1. “The Real Has Become a Symbol” 11
- 2. The Dispute over War Poetry 17
- 3. Criticism of Nationalist Violence 22
- 4. Reading Nationalist Poetry Critically 26
- 5. Nationalism Anthologized 32
- 6. The Living-Dead in Joy of the Poor 37
- 7. Revenge on a Nationalist Scale 44
- 8. Leah Goldberg Writes War Poetry 48
- 9. The Duality of the Symbolist Woman Poet 54
- 10. The Living-Dead and the Female Body 58
- 11. Amir Gilboa: Boy Poet 62
-
Part II Historical Analogy and National Allegory During the Holocaust
- 12. A Surprising Moral Judgment 75
- 13. The Uncommon Stance of a Major Poet 78
- 14. Critical Reception 81
- 15. A Postnationalist Reading 86
- 16. A Symbol, Not an Allegory 92
- 17. Allegory in The Poems of the Plagues of Egypt Versus Symbolism in Joy of the Poor 97
- 18. Allegory as a Nonhegemonic Stance 103
- 19. Alterman and the Memory of the Holocaust 110
- 20. The Father-Son Strategy 114
- 21. Blind Vengeance 119
- 22. Breaking the Cycle of Crime and Punishment 123
- 23. History of the Defeated 134
- 24. A Summer Quarrel 138
- 25. Ghetto Poems in the Streets of Tel-Aviv 146
-
Part III Symbols of Death in the National War for Independence
- 26. Return of the Hegemonic Symbol 163
- 27. The Living-Dead in the Independence War 175
- 28. Amir Gilboa and the Subversion of the Symbol 178
- 29. Gilboa Versus the Metaphor of the Living-Dead 188
- 30. Poets as Reporters 193
- 31. Sorrow Petrified into Symbols 200
- 32. Hegemonic Strategies 207
- 33. From Reportage to Lyric 215
- 34. Women Write of Fallen Soldiers as Flesh and Blood 222
- 35. In the Service of National Subjectivity 225
- 36. Women and the Metaphor of the Living-Dead 229
- 37. Criticism of the Living-Dead Metaphor 236
- 38. The Authority and Power of Women 243
- 39. Popular Versus Canonical Mourning 251
- 40. The Secrets and Power of Women 253
- Conclusion 259
- Index 261