Stanford University Press
British State Romanticism
About this book
British State Romanticism contends that changing definitions of state power in the late Romantic period propelled authors to revisit the work of literature as well as the profession of authorship. Traditionally, critics have seen the Romantics as imaginative geniuses and viewed the supposedly less imaginative character of their late work as evidence of declining abilities. Frey argues, in contrast, that late Romanticism offers an alternative aesthetic model that adjusts authorship to work within an expanding and bureaucratizing state. She examines how Wordsworth, Coleridge, Austen, Scott, and De Quincey portray specific state and imperial agencies to debate what constituted government power, through what means government penetrated individual lives, and how non-governmental figures could assume government authority. Defining their work as part of an expanding state, these writers also reworked Romantic structures such as the imagination, organic form, and the literary sublime to operate through state agencies and to convey membership in a nation.
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Frontmatter
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Contents
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Acknowledgments
vii -
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Introduction: Literature and the State in Post-Napoleonic Britain
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1. Fragment Poems and Fragment Nations: The Aesthetics of Ireland in Samuel Taylor Coleridge’s Late Work
21 -
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2. Wordsworth’s Establishment Poetics
54 -
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3. Speaking for the Law: State Agency in Scott’s Novels
88 -
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4. A Nation Without Nationalism: The Reorganization of Feeling in Austen’s Persuasion
116 -
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5. De Quincey’s Imperial Systems
140 -
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Notes
165 -
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Index
199