Traditional Chinese Fiction and Fiction Commentary
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David L. Rolston
About this book
In the Ming and Qing periods, the Chinese read fiction in editions with extensive commentary printed on the same page as the fiction itself. This commentary was concerned less with helping the reader understand the “letter” of the text than with drawing the reader’s attention to its more notable aspects through emphatic punctuation (similar to our underlining, italics, or highlighting) and evaluative comments. Authors developed four different approaches to the challenges this type of commentary presented: they wrote their own commentary, they modeled aspects of their narrators on fiction commentators, they left space in their texts for readers to compose their own commentaries, or they combined these approaches. This book is the first concerted effort to see how the existence of the commentary tradition affected the development of Chinese fiction. It aims to answer several questions, including: How prevalent were commentary editions of fiction? How important was the commentary in them? Were the comments actually read? What effect did they have on readers and future writers? David L. Rolston is Associate Professor of Chinese Language and Literature at the University of Michigan. He is the editor of How to Read the Chinese Novel.
Author / Editor information
Topics
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Frontmatter
i -
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Contents
v -
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Preface
vii -
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Abbreviations
xi -
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Introduction: Traditional Chinese Fiction Commentary in Context
1 - Part I A Brief History of Chinese Fiction Commentary
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1. Mr. Pingdian: Jin Shengtan and the Shuihu zhuan
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2. Dealing with Jin Shengtan and the Rest of the "Four Masterworks
51 -
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3. Decline and Revival
85 - Part II· Making Room for Fiction
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4. Creating Implied Authors and Readers
105 -
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5. Liberating Fiction from History
131 -
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6. Liberating Fiction from "Reality"
166 - Part III From What to Who: The Turn Away from Plot
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7. From Plot-Centered to Character-Centered Narratives
191 -
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8. Relational Characterization and Ambiguous Characters
209 - Part IV: How to Write the Chinese Novel
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9. Fiction Criticism and How the Story Is Told
229 -
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10. Articulating the Parts
243 - Part V.· Four Solutions to the Challenge of Commentary
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11. Auto-commentary: The Xiyou bu and the Shuihu houzhuan
269 -
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12. Commentator-Narrators: Li Yu, Ding Yaokang, and Wen Kang
284 -
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13. Latent Commentary: The Rulin waishi
312 -
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14. Everything All at Once: The Honglou meng
329 -
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Works Cited
351 -
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Glossary-Index
383