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Double-Takes
Intersections between Canadian Literature and Film
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Edited by:
David R. Jarraway
Language:
English
Published/Copyright:
2012
About this book
The widest-ranging exploration to date of the interaction between English Canadian literature and film.
Author / Editor information
David Jarraway is professor of American Literature and Culture at the University of Ottawa, and is the author of Wallace Stevens and the Question of Belief: “Metaphysician in the Dark” (1993) and Going the Distance: Dissident Subjectivity in Modernist American Literature (2003), both in the “Horizons in Theory and American Culture” Series at Louisiana State University Press.
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Frontmatter
1 -
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TABLE OF CONTENTS
7 -
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INTRODUCTION
11 - PART ONE. REALISM AND ITS “OTHERS”
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Beyond the National -Realist Text : Imagining the Impossible Nation in Contemporary Canadian Cinema
25 -
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Griersonian “Actuality” and Social Protest in Dorothy Livesay’s Documentary Poems
39 -
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“Stunning and Strange”: Icelan d as Memory and Prophecy in Alice Munro’s “White Dump” and Sarah Polley’s “Awa y from Her”
59 -
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Maddin, Melodrama and the Pre-National
77 -
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Dialogic Phantasy in Bruce McDonald’s Adaptive Narratives
95 - PART TWO. ADAPTATION, FOR BETTER OR WORSE
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Reading Canadian Film Credits : Adapting Institutions, Systems and Affects
113 -
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Sisters in the Wilderness: Mythologizing Catharine Parr Traill
139 -
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“Triumph” in the Backwoods: The CBC’s Take on Moodie and Traill in Sisters in the Wilderness (2000)
153 -
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The Director’s Medium: Richard Attenborough’s De-Authorization of Grey Owl
169 -
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Narrative Structure and Narrative Voices in The English Patient: Film and Novel—A Comparative Study
183 -
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Loser Wins: The Rhetoric of High Modernism in The Apprenticeship of Duddy Kravitz
199 -
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Why They Cannot Get It Right: A Reader’s Notes about Richler on Screen
219 -
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“[I]t’s my nature”: A Comparison of Hagar Shipley’s Pride in The Stone Angel Novel and Film
229 - PART THREE. IDENTITY: “TO BE OR NOT TO BE”
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Why Sex Matters in Canadian Film and Literature
247 -
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The Nature of Things: Coupland, Cinema and the Canadian Sixties and Seventies
259 -
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Adapting Men to New Times? Engagements with Masculinism in John Howe ’s Why Rock the Boat?
277 -
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Filming Music: Adapting Transnational Sound in The English Patient and Fugitive Pieces
299 -
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“Something’s missing”: Explo ding Girlhood and Narrati ve in The Tracey Fragments
317 -
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CONTRIBUTORS
333 -
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INDEX
337
Publishing information
Pages and Images/Illustrations in book
eBook published on:
May 25, 2013
eBook ISBN:
9780776619880
Pages and Images/Illustrations in book
Main content:
366
eBook ISBN:
9780776619880
Audience(s) for this book
Professional and scholarly;
