Mcgill-queen's University Press
The Perils of Pedagogy
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Brenda Longfellow
, Scott MacKenzie and Thomas Waugh
About this book
Whether addressing HIV/AIDS, the policing of bathroom sex, censorship, or anti-globalization movements, John Greyson has imbued his work with cutting humour, eroticism, and postmodern aesthetics. Mashing up high art, opera, community activism, and pop culture, Greyson challenges his audience to consider new ways that images can intervene in both political and public spheres.
Emerging on the Toronto scene in the late 1970s, Greyson has produced an eclectic, provocative, and award-winning body of work in film and video. The essays in The Perils of Pedagogy range from personal meditations to provocative textual readings to studies of the historical contexts in which the artist's works intervened politically as well as artistically. Notable writers from a range of disciplines as well as prominent experimental and activist filmmakers tackle questions of documentary ethics, moving image activism, and queer coalitional politics raised by Greyson's work. Close to one hundred frame captures and stills from almost sixty works, along with articles, speeches, and short scripts by Greyson - several never before published - supplement the collection.
Celebrating thirty years of passionate, brilliant, and affecting moviemaking, The Perils of Pedagogy will fascinate both specialists and general readers interested in media activism and advocacy, censorship, and freedom of expression.
Author / Editor information
Topics
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Front Matter
i -
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Contents
v -
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Illustrations
ix -
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Acknowledgments
xiii -
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Foreword
xv -
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Introduction
1 - Historical Contexts, Queer Activism
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Notes on Grey zone
19 -
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Solidarity in Motion: Manzano por Manzana and To Pick Is Not to Choose
43 -
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“Tell a Story, Save a Life” (Montage 1987–89)
58 -
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Buggering John Greyson
69 -
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John Greyson’s After the Bath, Moral Panic, and Interpublic Address
81 - Obsessions
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John Greyson’s Queer Internationalism
101 -
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Parsing the Transnational in John Greyson’s Queer Cinema: Proteus, Fig Trees, Covered, and Hey Elton
113 -
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Fables of Empire: The Intimate Histories of John Greyson
136 -
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And Now for Something Completely Dissident: The “Parodic Historical” and “Archival Necrology” of John Greyson
148 -
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Froth and Its Uses
169 -
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Greyson, Grierson, Godard, God: Reflections on the Cinema of John Greyson (from North of Everything: English-Canadian Cinema Since 1980 [2002])
180 -
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“Strike a Pose”: Notes towards Queering Tableau and Temporality in the Work of John Greyson
196 -
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Audio Visual Judo
209 -
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“God is a lesbian,” Says John
216 - In His Own Words
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The Boxboys (from The Body Politic, September 1979)
227 -
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Fact and Fiction (from The Body Politic, November 1979, 36)
234 -
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Skirting the Issue (from The Body Politic, April 1981,31–2)
238 -
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Queer behind the Curtain: Interview with John Greyson (from The Body Politic, October 1985, 23 4)
243 -
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Parma Violets (from Urinal and Other Stories, [1988] 1993)
248 -
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Still Searching (from A Leap in the Dark: AIDS, Art & Contemporary Cultures, 1992,85-95)
258 -
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Security Blankets: Sex, Video, and the Police (from Queer Looks: Perspectives on Lesbian and Gay Film and Video, 1993, 383–94)
268 -
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The Coconut Strategy: Shape-Shifting in Filmmaking (from Montage, Fall 2001)
279 -
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Something Always Seems to Go Wrong Somewhere: Eisenstein at the Barricades, Pasolini at the Baths (from Public 25 [2002 ]: 110-18)
283 -
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The Singing Dunes: Colin Campbell, 1943–2001 (from C Magazine, 2002)
294 -
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Pils Slip (from Vertigo, Autumn 2005)
300 -
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Everett Klippert: A Musical Waiting to Happen (unpublished, 2005)
306 -
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A Whore on Terror: Several Quodlibets (unpublished, 2006)
312 -
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Waiting Jor Gaydot (unpublished, 2009)
323 - The Films
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Defending Desire: Direct(ing) Gay Male Sex (from Deviant Eyes, Deviant Bodies: Sexual Re-orientation in Film and Video, 1996)
343 -
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On the Uses and Disadvantages of a History of the Other: An Untimely Meditation1 (from The Ethics of Marginality, 1995)
351 -
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“Nice gun you’ve got there”: John Greyson’s Critique of Masculinity (from Parachute 66 [ 1992|: 27–32)
371 -
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“Bash back, baby, your life depends on it”: Pedagogical Responses to Anti-Gay Violence in John Greyson s The Making of “Monsters”
383 -
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Zero Patience, The Musical
408 -
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“But ... it’s so beautiful”: Collective Fantasy in Lilies (from Nouvelles “vues” sur le cinéma québécois, no. 8 [Winter 2008])
425 -
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Three Peters and an Obsession with Pierre: Intellectual Property in John Greyson’s Un©ut
438 -
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Counting Time in The Law of Enclosures
450 -
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Queer Anachronism and National Memory in Proteus
462 -
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Ten Propositions on Operatic Subversions and the “Charge of the Real” in John Greyson’s Fig Trees
475 -
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Thoughts on Fig Trees (from Fig Trees: A Video Opera by David Wall and John Greyson, catalogue to accompany exhibition at the Oakville Galleries, 2003)
493 -
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Opera Games (from Fig Trees: A Video Opera by David Wall and John Greyson, catalogue to accompany exhibition at the Oakville Galleries, 2003)
499 -
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Filmography
503 -
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John Greyson: Selected Writings
517 -
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Works Cited
519 -
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Contributors
541 -
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Index
549