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book: Aboriginal Music in Contemporary Canada
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Aboriginal Music in Contemporary Canada

Echoes and Exchanges
  • Anna Hoefnagels and Beverley Diamond
Language: English
Published/Copyright: 2012
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About this book

First Nations, Inuit, and Métis music in Canada is dynamic and diverse, reflecting continuities with earlier traditions and innovative approaches to creating new musical sounds. Aboriginal Music in Contemporary Canada narrates a story of resistance and renewal, struggle and success, as indigenous musicians in Canada negotiate who they are and who they want to be.

Comprised of essays, interviews, and personal reflections by Aboriginal and non-Aboriginal musicians and scholars alike, the collection highlights themes of innovation, teaching and transmission, and cultural interaction. Individual chapters discuss musical genres ranging from popular styles including country and pop to nation-specific and intertribal practices such as powwows, as well as hybrid performances that incorporate music with theatre and dance. As a whole, this collection demonstrates how music is a powerful tool for articulating the social challenges faced by Aboriginal communities and an effective way to affirm indigenous strength and pride.

Juxtaposing scholarly study with artistic practice, Aboriginal Music in Contemporary Canada celebrates and critically engages Canada's vibrant Aboriginal music scene.

Contributors include Véronique Audet (Université de Montreal), Columpa C. Bobb (Tsleil Waututh and Nlaka'pamux, Manitoba Theatre for Young People), Sadie Buck (Haudenosaunee), Annette Chrétien (Métis), Marie Clements (Métis/Dene), Walter Denny Jr. (Mi'kmaw), Gabriel Desrosiers (Ojibwa, University of Minnesota, Morris), Beverley Diamond (Memorial University), Jimmy Dick (Cree), Byron Dueck (Royal Northern College of Music), Klisala Harrison (University of Helsinki), Donna Lariviere (Algonquin), Charity Marsh (University of Regina), Sophie Merasty (Dene and Cree), Garry Oker (Dane-zaa), Marcia Ostashewski (Cape Breton University), Mary Piercey (Memorial University), Amber Ridington (Memorial University), Dylan Robinson (Stó:lo, University of Toronto), Christopher Scales (Michigan State University), Gilles Sioui (Wendat), Gordon E. Smith (Queen's University), Beverly Souliere (Algonquin), Janice Esther Tulk (Memorial University), Florent Vollant (Innu) and Russell Wallace (Lil'wat).

Author / Editor information

Contributor: Anna Hoefnagels Anna Hoefnagels is associate professor of music in the School for Studies in Art and Culture at Carleton University. --- Contributor: Beverley Diamond Beverley Diamond is professor emeritus of ethnomusicology at Memorial University of Newfoundland.

Reviews

"The editors' astute coordinating of the changing views and practices of Canada's Aboriginal music aesthetics makes this a benchmark study. Summing Up: Highly recommended." CHOICE

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  • Teaching and Transmission
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Publishing information
Pages and Images/Illustrations in book
eBook published on:
June 9, 2023
eBook ISBN:
9780773587120
Pages and Images/Illustrations in book
Main content:
520
Downloaded on 2.3.2026 from https://www.degruyterbrill.com/document/doi/10.1515/9780773587120/html
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