Aboriginal Music in Contemporary Canada
-
Anna Hoefnagels
and Beverley Diamond
About this book
First Nations, Inuit, and Métis music in Canada is dynamic and diverse, reflecting continuities with earlier traditions and innovative approaches to creating new musical sounds. Aboriginal Music in Contemporary Canada narrates a story of resistance and renewal, struggle and success, as indigenous musicians in Canada negotiate who they are and who they want to be.
Comprised of essays, interviews, and personal reflections by Aboriginal and non-Aboriginal musicians and scholars alike, the collection highlights themes of innovation, teaching and transmission, and cultural interaction. Individual chapters discuss musical genres ranging from popular styles including country and pop to nation-specific and intertribal practices such as powwows, as well as hybrid performances that incorporate music with theatre and dance. As a whole, this collection demonstrates how music is a powerful tool for articulating the social challenges faced by Aboriginal communities and an effective way to affirm indigenous strength and pride.
Juxtaposing scholarly study with artistic practice, Aboriginal Music in Contemporary Canada celebrates and critically engages Canada's vibrant Aboriginal music scene.
Contributors include Véronique Audet (Université de Montreal), Columpa C. Bobb (Tsleil Waututh and Nlaka'pamux, Manitoba Theatre for Young People), Sadie Buck (Haudenosaunee), Annette Chrétien (Métis), Marie Clements (Métis/Dene), Walter Denny Jr. (Mi'kmaw), Gabriel Desrosiers (Ojibwa, University of Minnesota, Morris), Beverley Diamond (Memorial University), Jimmy Dick (Cree), Byron Dueck (Royal Northern College of Music), Klisala Harrison (University of Helsinki), Donna Lariviere (Algonquin), Charity Marsh (University of Regina), Sophie Merasty (Dene and Cree), Garry Oker (Dane-zaa), Marcia Ostashewski (Cape Breton University), Mary Piercey (Memorial University), Amber Ridington (Memorial University), Dylan Robinson (Stó:lo, University of Toronto), Christopher Scales (Michigan State University), Gilles Sioui (Wendat), Gordon E. Smith (Queen's University), Beverly Souliere (Algonquin), Janice Esther Tulk (Memorial University), Florent Vollant (Innu) and Russell Wallace (Lil'wat).
Author / Editor information
Reviews
Topics
-
Download PDFPublicly Available
Front Matter
i -
Download PDFPublicly Available
Contents
vii -
Download PDFPublicly Available
list of tables and figures
xi -
Download PDFPublicly Available
Acknowledgments
xiii -
Download PDFRequires Authentication UnlicensedLicensed
Introduction
3 -
Download PDFRequires Authentication UnlicensedLicensed
Recent Studies of First Nations, Inuit, and Métis Music in Canada
10 - Innovating Tradition
-
Download PDFRequires Authentication UnlicensedLicensed
Continuity and Innovation in the Dane–ẕaa Dreamers’ Song and Dance Tradition: A Forty–Year Perspective
31 -
Download PDFRequires Authentication UnlicensedLicensed
From Tea Dance to iTunes: Recomposing Dane–ẕaa Dreamers’ Songs
61 -
Download PDFRequires Authentication UnlicensedLicensed
Localizing Intertribal Traditions: The Powwow as Mi’kmaw Cultural Expression
70 -
Download PDFRequires Authentication UnlicensedLicensed
Contemporary Northern Plains Powwow Music: The Twin Influences of Recording and Competition
89 -
Download PDFRequires Authentication UnlicensedLicensed
Aboriginal Women and the Powwow Drum: Restrictions, Teachings, and Challenges
109 - Teaching and Transmission
-
Download PDFRequires Authentication UnlicensedLicensed
The sound of what I hear on earth
133 -
Download PDFRequires Authentication UnlicensedLicensed
Reflecting on Reflexivity: Teaching and Conducting Research in an Inuit Community
150 -
Download PDFRequires Authentication UnlicensedLicensed
Moose Trails and Buffalo Tracks: Métis Music and Aboriginal Education in Canada
174 -
Download PDFRequires Authentication UnlicensedLicensed
One Strong Woman: Finding Her Voice, Finding Her Heritage
194 -
Download PDFRequires Authentication UnlicensedLicensed
Learning about and Supporting Aboriginal Music and Culture: A Personal Journey
206 - Cultural Interactions and Negotiations
-
Download PDFRequires Authentication UnlicensedLicensed
Intercultural Collaboration
218 -
Download PDFRequires Authentication UnlicensedLicensed
Listening to the Politics of Aesthetics: Contemporary Encounters between First Nations/Inuit and Early Music Traditions
222 -
Download PDFRequires Authentication UnlicensedLicensed
Musical Form as Theatrical Form in Native Canadian Stage Plays: Moving through the Third Space
249 -
Download PDFRequires Authentication UnlicensedLicensed
Music and Narrative in The Unnatural and Accidental Women
271 -
Download PDFRequires Authentication UnlicensedLicensed
Music, Religion, and Healing in a Mi’kmaw Community
281 -
Download PDFRequires Authentication UnlicensedLicensed
“No Heartaches in Heaven”: A Response to Aboriginal Suicide
300 -
Download PDFRequires Authentication UnlicensedLicensed
Arnie Strynadka, “The Uke–Cree Fiddler”
323 -
Download PDFRequires Authentication UnlicensedLicensed
Bits and Pieces of Truth: Storytelling, Identity, and Hip Hop in Saskatchewan
346 -
Download PDFRequires Authentication UnlicensedLicensed
Why Do the Innu Sing Popular Music? Reflections on Cultural Assertion and Identity Movements in Music
372 -
Download PDFRequires Authentication UnlicensedLicensed
Aboriginal Popular Music in Quebec: Influences, Issues, and Rewards
408 -
Download PDFRequires Authentication UnlicensedLicensed
Gilles Sioui: Supporting and Performing with Aboriginal Artists in Quebec
419 -
Download PDFRequires Authentication UnlicensedLicensed
Bibliography
431 -
Download PDFRequires Authentication UnlicensedLicensed
Interviews cited
467 -
Download PDFRequires Authentication UnlicensedLicensed
Internet Sites
469 -
Download PDFRequires Authentication UnlicensedLicensed
Discography
471 -
Download PDFRequires Authentication UnlicensedLicensed
Videography
475 -
Download PDFRequires Authentication UnlicensedLicensed
Contributors
477 -
Download PDFRequires Authentication UnlicensedLicensed
Index
487