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Rewriting Apocalypse in Canadian Fiction
Language:
English
Published/Copyright:
2005
About this book
Rewriting Apocalypse in Contemporary Canadian Fiction is the first book to explore the literary, psychological, political, and cultural repercussions of the apocalypse in the fiction of Timothy Finley, Michael Ondaatje, Margaret Atwood, Thomas King, and Joy Kogawa. While writers from diverse nations have adopted and adapted the biblical narrative, these Canadian authors introduce particular twists to the familiar myth of the end. Goldman demonstrates that they share a marked concern with purgation of the non-elect, the loss experienced by the non-elect, and the traumatic impact of apocalyptic violence. She also analyzes Canadian apocalyptic accounts as crisis literature written in the context of the Cold War - written against the fear of total destruction.
Author / Editor information
Marlene Goldman is professor of English, University of Toronto at Scarborough. She is the author of Paths of Desire: Images of Exploration and Mapping in Canadian Women's Writing.
Topics
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Front Matter
i -
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Contents
vii -
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Acknowledgments
ix -
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The Apocalyptic Paradigm
3 -
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The End(s) of Myth: Apocalyptic and Prophetic Visions in Headhunter
29 -
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Allegories of Ruin and Redemption: Michael Ondaatje’s The English Patient
53 -
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Margaret Atwood’s “Hairball”: Apocalyptic Cannibal Fiction
83 -
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Mapping and Dreaming: Resisting Apocalypse in Green Grass, Running Water
101 -
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Broken Letters: Obasan as Traumatic Apocalyptic Testimony
128 -
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Adrift After the Apocalypse
161 -
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Notes
169 -
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Bibliography
191 -
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Index
203
Publishing information
Pages and Images/Illustrations in book
eBook published on:
May 17, 2023
eBook ISBN:
9780773572942
Pages and Images/Illustrations in book
Main content:
224
eBook ISBN:
9780773572942
Audience(s) for this book
For an expert adult audience, including professional development and academic research