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2 Performing Politics: Propaganda, Parody, and the Mock Parliament
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Kym Bird
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Chapters in this book
- Front Matter i
- Contents vii
- List of Illustrations ix
- Acknowledgments xi
- Feminist Politics and the Recovery of Women’s Drama 3
- Leaping into the Breeches: Liberal Feminism in Sarah Anne Curzon’s Laura Secord and The Sweet Girl Graduate 17
- Performing Politics: Propaganda, Parody, and the Mock Parliament 59
- “Mothers of a New and Virile Race!”: Liberalism and Social Purity in the Life and Works of Kate Simpson Hayes 92
- Instructive and Wholesome: Domestic Feminism, Social Gospel, and the Protestant Plays of Clara Rothwell Anderson 138
- Conclusion 194
- Appendix 199
- Notes 215
- Bibliography 239
- Index 257
Chapters in this book
- Front Matter i
- Contents vii
- List of Illustrations ix
- Acknowledgments xi
- Feminist Politics and the Recovery of Women’s Drama 3
- Leaping into the Breeches: Liberal Feminism in Sarah Anne Curzon’s Laura Secord and The Sweet Girl Graduate 17
- Performing Politics: Propaganda, Parody, and the Mock Parliament 59
- “Mothers of a New and Virile Race!”: Liberalism and Social Purity in the Life and Works of Kate Simpson Hayes 92
- Instructive and Wholesome: Domestic Feminism, Social Gospel, and the Protestant Plays of Clara Rothwell Anderson 138
- Conclusion 194
- Appendix 199
- Notes 215
- Bibliography 239
- Index 257