Acknowledgments

Kym Bird

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Acknowledgments

Kym Bird

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Bird, Kym. "Acknowledgments". Redressing the Past: The Politics of Early English-Canadian Women’s Drama, 1880–1920, Montreal: McGill-Queen's University Press, 2004, pp. xi-xiii. https://doi.org/10.1515/9780773571471-002

Bird, K. (2004). Acknowledgments. In Redressing the Past: The Politics of Early English-Canadian Women’s Drama, 1880–1920 (pp. xi-xiii). Montreal: McGill-Queen's University Press. https://doi.org/10.1515/9780773571471-002

Bird, K. 2004. Acknowledgments. Redressing the Past: The Politics of Early English-Canadian Women’s Drama, 1880–1920. Montreal: McGill-Queen's University Press, pp. xi-xiii. https://doi.org/10.1515/9780773571471-002

Bird, Kym. "Acknowledgments" In Redressing the Past: The Politics of Early English-Canadian Women’s Drama, 1880–1920, xi-xiii. Montreal: McGill-Queen's University Press, 2004. https://doi.org/10.1515/9780773571471-002

Bird K. Acknowledgments. In: Redressing the Past: The Politics of Early English-Canadian Women’s Drama, 1880–1920. Montreal: McGill-Queen's University Press; 2004. p.xi-xiii. https://doi.org/10.1515/9780773571471-002

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Chapters in this book

Front Matter i
Contents vii
List of Illustrations ix
Acknowledgments xi
Feminist Politics and the Recovery of Women’s Drama 3
Leaping into the Breeches: Liberal Feminism in Sarah Anne Curzon’s Laura Secord and The Sweet Girl Graduate 17
Performing Politics: Propaganda, Parody, and the Mock Parliament 59
“Mothers of a New and Virile Race!”: Liberalism and Social Purity in the Life and Works of Kate Simpson Hayes 92
Instructive and Wholesome: Domestic Feminism, Social Gospel, and the Protestant Plays of Clara Rothwell Anderson 138
Conclusion 194
Appendix 199
Notes 215
Bibliography 239
Index 257

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https://doi.org/10.1515/9780773571471-002

Chapters in this book

Front Matter i
Contents vii
List of Illustrations ix
Acknowledgments xi
Feminist Politics and the Recovery of Women’s Drama 3
Leaping into the Breeches: Liberal Feminism in Sarah Anne Curzon’s Laura Secord and The Sweet Girl Graduate 17
Performing Politics: Propaganda, Parody, and the Mock Parliament 59
“Mothers of a New and Virile Race!”: Liberalism and Social Purity in the Life and Works of Kate Simpson Hayes 92
Instructive and Wholesome: Domestic Feminism, Social Gospel, and the Protestant Plays of Clara Rothwell Anderson 138
Conclusion 194
Appendix 199
Notes 215
Bibliography 239
Index 257

Acknowledgments

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