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Seven Anti-Semitic Caricature in 1930s Montreal: Language and National Stereotypes in Adrien Arcand's Le Goglu (1929–1933)
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Kapitel in diesem Buch
- Front Matter i
- Contents v
- Acknowledgments vii
- Introduction 3
- Frankenstein's Tory: Graphic Satire in 1840s Montreal, from Le Charivari canadien to Punch in Canada 39
- Uncle Sam, a Not-So-Distant Cousin: Canadian Contributions to the Genesis of a US Allegorical Figure 75
- Reading Allegorical “Miss Canada” in Graphic Satire 98
- Clubs, Axes, and Umbrellas: The Woman Suffrage Movement as Seen by Montreal Cartoonists (1910–1914) 136
- Crossing the Line: Canadian Satire of the “Pretty Girl” North and South of the 49th Parallel 170
- Anti-Semitic Caricature in 1930s Montreal: Language and National Stereotypes in Adrien Arcand's Le Goglu (1929–1933) 206
- New Frontier (1936–1937) and the Antifascist Press in Canada 232
- Albéric Bourgeois … a.k.a. Baptiste Ladébauche 257
- Epilogue: Humour, Wit, and Satire in Canada 285
- Contributors 297
- Index 299
Kapitel in diesem Buch
- Front Matter i
- Contents v
- Acknowledgments vii
- Introduction 3
- Frankenstein's Tory: Graphic Satire in 1840s Montreal, from Le Charivari canadien to Punch in Canada 39
- Uncle Sam, a Not-So-Distant Cousin: Canadian Contributions to the Genesis of a US Allegorical Figure 75
- Reading Allegorical “Miss Canada” in Graphic Satire 98
- Clubs, Axes, and Umbrellas: The Woman Suffrage Movement as Seen by Montreal Cartoonists (1910–1914) 136
- Crossing the Line: Canadian Satire of the “Pretty Girl” North and South of the 49th Parallel 170
- Anti-Semitic Caricature in 1930s Montreal: Language and National Stereotypes in Adrien Arcand's Le Goglu (1929–1933) 206
- New Frontier (1936–1937) and the Antifascist Press in Canada 232
- Albéric Bourgeois … a.k.a. Baptiste Ladébauche 257
- Epilogue: Humour, Wit, and Satire in Canada 285
- Contributors 297
- Index 299