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1. Virginia Woolf Reads Shakespeare: or, Her Silence on Master William
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Julia Briggs
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Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgements vii
- List of Abbreviations x
- Introduction: ‘Such Absences!’ 1
- 1. Virginia Woolf Reads Shakespeare: or, Her Silence on Master William 8
- 2. ‘The Proper Writing of Lives’: Biography versus Fiction in Woolf’s Early Work 25
- 3. Night and Day: The Marriage of Dreams and Realities 42
- 4. Reading People, Reading Texts: ‘Byron and Mr Briggs’ 63
- 5. ‘Modernism’s Lost Hope’: Virginia Woolf, Hope Mirrlees and the Printing of Paris 80
- 6. The Search for Form (i): Fry, Formalism and Fiction 96
- 7. The Search for Form (ii): Revision and the Numbers of Time 113
- 8. ‘This Moment I Stand On’: Virginia Woolf and the Spaces in Time 125
- 9. ‘Like a Shell on a Sandhill’: Woolf’s Images of Emptiness 141
- 10. Constantinople: At the Crossroads of the Imagination 152
- 11. The Conversation behind the Conversation: Speaking the Unspeakable 162
- 12. ‘Sudden Intensities’: Frame and Focus in Woolf’s Later Short Stories 172
- 13. ‘Almost Ashamed of England Being so English’: Woolf and Ideas of Englishness 190
- 14. Between the Texts: Woolf’s Acts of Revision 208
- Index 231
Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgements vii
- List of Abbreviations x
- Introduction: ‘Such Absences!’ 1
- 1. Virginia Woolf Reads Shakespeare: or, Her Silence on Master William 8
- 2. ‘The Proper Writing of Lives’: Biography versus Fiction in Woolf’s Early Work 25
- 3. Night and Day: The Marriage of Dreams and Realities 42
- 4. Reading People, Reading Texts: ‘Byron and Mr Briggs’ 63
- 5. ‘Modernism’s Lost Hope’: Virginia Woolf, Hope Mirrlees and the Printing of Paris 80
- 6. The Search for Form (i): Fry, Formalism and Fiction 96
- 7. The Search for Form (ii): Revision and the Numbers of Time 113
- 8. ‘This Moment I Stand On’: Virginia Woolf and the Spaces in Time 125
- 9. ‘Like a Shell on a Sandhill’: Woolf’s Images of Emptiness 141
- 10. Constantinople: At the Crossroads of the Imagination 152
- 11. The Conversation behind the Conversation: Speaking the Unspeakable 162
- 12. ‘Sudden Intensities’: Frame and Focus in Woolf’s Later Short Stories 172
- 13. ‘Almost Ashamed of England Being so English’: Woolf and Ideas of Englishness 190
- 14. Between the Texts: Woolf’s Acts of Revision 208
- Index 231