Joseph Luzzi is the Asher B. Edelman Professor of Literature at Bard College. His books include Botticelli’s Secret: The Lost Drawings and the Rediscovery of the Renaissance; In a Dark Wood: What Dante Taught Me About Grief, Healing, and the Mysteries of Love; and My Two Italies.

"This is a really good book, informative, interesting, sound, with excellent notes for further investigation."---Corinna Lonergan, Irish Catholic --- "Joseph Luzzi makes a compelling case that a great work of art can lead a life every bit as dramatic, chequered and instructive as the artist who made it. . . .His book is no hagiography but a kind of love letter, a reminder that great works are not merely studied or analysed, but encountered."---Lola Salem, The Critic --- "This pleasurable, erudite book explores just how variously and often Dante’s great poem has been remade by its changing cultural context in the 700 years since its completion. So elegantly written and thoughtfully informative is it that I read it almost in one sitting."---Fiona Sampson, The Tablet --- "Dante, a complicated man in his own right, has left us a complicated work with a complicated legacy, all of which Luzzi explores in this compelling history of the epic’s creation and reception through the centuries."---Todd Edmondson, Englewood Review of Books --- "An informative and engaging tour de force that shows how the Divine Comedy has been able to survive the test of time and speak to different ages and authors. . . .Joseph Luzzi’s book is a precious contribution that reminds us that the Divine Comedy has attracted different ages and diverse poetical and religious sensibilities throughout the centuries. This living, breathing masterpiece is the reason why ‘we still study a poet who died one thousand years ago’."---Barbara Pezzoti, Australian Book Review  --- "Joseph Luzzi’s Dante’s Divine Comedy: A biography gives a succinct sketch of Dante’s own afterlife. . . . His later chapters especially give a rich sense of Dante’s presence in different forms, genres and media."---Harry Cochrane, Times Literary Supplement --- "The prose is faithful, scholarly and sensitive to the subtle nuances of meaning and richness of reference in Dante’s epic poem. . . .This beautifully illustrated book brings together all three volumes of Dante’s poem, describing his travels down to the circles of Hell, up over the mountain of Purgatory and his ultimate ascension through the celestial spheres of Paradise. Featuring an incisive introduction by Simone Marchesi, a glossary and stunning illustrations by acclaimed artist Roberto Abbiati, this handsome edition of The Divine Comedy introduces a new generation of readers to what is perhaps the preeminent achievement of Italian literature." --- "Both scholarly and accessible, this book impressively distills its author's lifetime of study and teaching, making it a rich source book for professors and students alike. . . . Highly recommended." --- "Sometimes, it is of devout necessity to have a well-written book which presents a qualified overview of an artist’s colossus of magnified, influential work – or in this instance, writing. And Dante’s Divine Comedy – A Biography, is the perfect example. . . .[An] excellent book."---David Marx, David Marx Book Reviews --- "Very readable and concise. . . .Excellent. . . .Beautifully produced [and] recommended."---Alan Price, London Grip --- "An unexpected delight. For someone ill-versed in The Divine Comedy and it’s history, this is the perfect introduction – academically sound but eminently readable."---Terry Potter, The Letterpress Project --- "A learned but accessibly written essay on a centerpiece of the European literary tradition and its continuing influence." --- "Erudite. . . . Luzzi covers the seven centuries since the [Divine] Comedy’s publication with concision and verve. It’s a fleet-footed overview of the influential poem’s eventful afterlife." --- "By recounting the history of the poem’s reception by readers over the centuries . . . Luzzi shows what a many-headed and irreducible beast it has always been and continues to be."---Andrew Frisardi, Wall Street Journal