Mnemosyne
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Mario Praz
About this book
The classic study of the timeless relationship between literature and the visual arts
In his search for a common link between literature and the visual arts, Mario Praz draws on the abundant evidence of mutual understanding and correspondence they have long shared. Praz explains that within literature, each epoch has “its peculiar handwriting or handwritings, which, if one could interpret them, would reveal a character, even a physical appearance,” and while these characteristics belong to the general style of a given period, the personality of the writer does not fail to pierce through. Praz contends that something similar occurs in art. He shows how the likeness between the arts within various periods of history can ultimately be traced to structural similarities that arise out of the characteristic way in which the people of a certain epoch see and memorize facts aesthetically. Mnemosyne, at once the goddess of memory and the mother of the muses, presides over this view of the arts. In illustrating her influence, Praz ranges widely through Western sources, providing an incomparable tour of the literary and pictorial arts.
Author / Editor information
Reviews
"Mnemosyne is really a great tour down the centuries through galleries, libraries, churches, gardens, and salons, which at every point opens up surprising and penetrating views. Mr. Praz is a man whose breadth of culture is almost unmatched. His outlook is open and humane, his insight attractive, and his mind passionately curious: he has a phenomenal capacity for bringing valuable things out of hiding."
"One of the most urbane and sophisticated cultural tours ever put between two covers."
Topics
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Frontmatter
i -
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CONTENTS
vii -
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ACKNOWLEDGMENTS
viii -
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LIST OF ILLUSTRATIONS
ix -
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I "Ut Pictura Poesis"
1 -
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II Time Unveils Truth
29 -
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III Sameness of Structure in a Variety of Media
55 -
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IV Harmony and the Serpentine Line
79 -
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V The Curve and the Shell
109 -
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VI Telescopic, Microscopic, and Photoscopic Structure
153 -
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VII Spatial and Temporal Interpenetration
191 -
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NOTES
219 -
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INDEX
243