The Third Reich of Dreams

Charlotte Beradt (1907–1986) was a Jewish journalist and communist activist based in Berlin during the Third Reich. She fled to New York in 1939 as a refugee, creating a gathering place for other German émigrés, including Hannah Arendt. Damion Searls is an award-winning translator and writer whose translation of Jon Fosse’s novel A New Name was shortlisted for the International Booker Prize. Dunya Mikhail is an Iraqi American poet whose books include The War Works Hard and The Beekeeper: Rescuing the Stolen Women of Iraq, which was longlisted for the National Book Award.

"Haunting. . . . An astonishing historical analysis, The Third Reich of Dreams speaks to the dreams of those who lived under Hitler to capture the twisted realities of Nazi rule."---Willem Marx, Foreword Reviews --- "Beradt created a unique document that illustrates, profoundly, how people gird themselves, consciously and unconsciously, for the great moral tests they know are coming, even as they absorb and interpret the shocking curtailments of freedom to their daily lives. . . . I must return to Bettelheim, who raises the essential question at the end of his essay: ‘If all of us abhorred the Third Reich, why did it exist? […] Even among those who lived in fear and trembling of the Nazis, might there not have been in them somewhere, deep down, a layer of soul closely kin to that regime of terrible domination?’ The answer is being written as we reread, with fear and trembling, the work of Charlotte Beradt."---Laurie Winer, Los Angeles Review of Books --- "What The Third Reich of Dreams charts so precisely is the insidious intimacy with which the mind’s channels can be penetrated, a penetration that need not be conscious. . . . So many of the dreams [Beradt] relates revolve in fact around language, around statements overheard, statements prohibited, statements denied, statements revised in shame and terror—the language of dreams that if written down became instant contraband."---Geoffrey O'Brien, Book Post --- "A kind of magnum opus. . . . The Third Reich of Dreams is a testament to the perceptiveness, intelligence, and creativity of ordinary people. It is also a text that is at peace with its own strangeness. Beradt demonstrates that all night, every night, we challenge and change reality. She calls upon us to cling to that strangeness so that we can continue in the work of transformation—not just unwittingly, in our sleep, but even, and more importantly, once we are awake."---Sarah Dowling, Parapraxis --- "A unique take on living – and sleeping – under fascism."---Kristin Semmens, History Today --- "This remarkable work of journalism, newly translated into English, shows how authoritarianism warps the subconscious." --- "Sharply insightful. . . . This book is a timely reminder that the culture we allow ourselves to exist within is capable of making deep and damaging inroads into our collective psyche."---Salley Vickers, The Spectator --- "A fascinating piece of work."---Alun David, The Jewish Chronicle --- "The Third Reich of Dreams makes a powerful impression; I found it literally breathtaking."---Raphael Magarik, Jewish Currents --- "An unprecedented record of how the Nazi regime extended its grip beyond the public sphere into the innermost recesses of private existence, polluting the sanctity of sleep itself. . . . The Third Reich of Dreams endures as a distinctive and unsettling portrait of life under dictatorship."---Sofia Cumming, Times Literary Supplement --- "Beradt’s book reverberates from the past into our collective psyche. . . . Princeton University Press’s new edition provides a fresh foreword by the Iraqi journalist and poet, Dunya Mikhail, who was also a refugee, and a new translation by the award-winning translator Damion Searls. Searls walks a fine line between domesticating Beradt’s style for a contemporary Anglophone reader and maintaining the sense of the foreignness of the familiar—of the “sur-real”—in the dreams that Beradt collects. . . . Just as the dreams in Beradt’s book are remarkably prescient, already intuiting mass piles of corpses and listening devices, so too do the new edition and the eventual film land with eerie timing."---Zoe Roth, Literary Hub --- "Beradt shows us why we should pay more heed to our inklings and sixth senses, gut feelings and nocturnal terrors."---Olivia Ward-Jackson, The Telegraph --- "Even the greatest novelistic fabulists of human despair as byproduct of industrial-scale fascism could not have conceived of this book." --- "Haunting. . . . a concise but powerful exploration of well-trod history that feels remarkably new." --- "As remarkable as it is timely. . . . Poetic yet astute in her analysis, Beradt holds a lens up to the collective unconscious."---Eric Miles, Vanity Fair --- "Damion Searls’ new translation revives this almost forgotten but hugely insightful text."---Nilanjana Roy, Financial Times --- "Beradt’s study casts an eerie, mesmeric spell. Reading it feels like scanning the dial of a shortwave radio late at night, picking up spooky transmissions from the collective unconscious of those who knew the Nazi horror firsthand."---Mark Dery, Washington Post --- "Newly translated, the remarkable collection—which is unique in the canon of Holocaust literature—may now find more readers. It arrives at a time when people are more interested in the connection between sleep and well-being than ever before." --- "Something of a cult classic. . . . [now] reissued in a crisp new translation from Damion Searls. . . . Dreams are perfect for registering nascent authoritarianism and the ways its repressions actually unfold: not as a single announcement or explosive act but as a steady, growing rumble while the ground beneath your feet begins to shift."---Gal Beckerman, The Atlantic --- "[A]n extraordinary clandestine project. . . . A new English edition, translated with crisp clarity by Damion Searls, revives this long-overlooked classic. . . . Beradt’s nocturnal diaries, vivid snapshots of collective unease, belong to a specific time and place. Her book’s involuntary testimonies are dictated, so to speak, by a particular dictatorship. But in our own moment of renewed anxiety about authoritarian impulses worldwide, they make us wonder: What happens when the dreams are no longer fully our own? The least we can do is read this singular document with our eyes wide open."---Benjamin Balint, Wall Street Journal --- "Beradt offers us not a complex hermeneutics of totalitarianism but rather a quite straight forward picture of the psychological effects of propaganda and manipulation upon a populace. . . . How does one become a totalitarian subject? What—aside from the threat of violence—are the necessary conditions? These are questions Beradt’s dreaming people daren’t ask themselves in the cold light of day, but the queries reappear under cover of night."---Zadie Smith, New York Review of Books --- "A strange, enthralling book. . . . The Third Reich of Dreams is a collective diary, a witness account hauled out of a nation’s shadows and into forensic light."---Mireille Juchau, The New Yorker --- "A History Today Book of the Year" --- "An Economist Best Book of the Year" --- "Longlisted for the Freudenheim Translation Prize, Jewish Literary Foundation"