Korngold and His World
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Edited by:
Daniel Goldmark
and Kevin C. Karnes
About this book
A brand-new look at the life and music of renowned composer Erich Wolfgang Korngold
Erich Wolfgang Korngold (1897–1957) was the last compositional prodigy to emerge from the Austro-German tradition of Mozart and Mendelssohn. He was lauded in his youth by everyone from Mahler to Puccini and his auspicious career in the early 1900s spanned chamber music, opera, and musical theater. Today, he is best known for his Hollywood film scores, composed between 1935 and 1947. From his prewar operas in Vienna to his pathbreaking contributions to American film, Korngold and His World provides a substantial reassessment of Korngold’s life and accomplishments.
Korngold struggled to reconcile the musical language of his Viennese upbringing with American popular song and cinema, and was forced to adapt to a new life after wartime emigration to Hollywood. This collection examines Korngold’s operas and film scores, the critical reception of his music, and his place in the milieus of both the Old and New Worlds. The volume also features numerous historical documents—many previously unpublished and in first-ever English translations—including essays by the composer as well as memoirs by his wife, Luzi Korngold, and his father, the renowned music critic Julius Korngold.
The contributors are Leon Botstein, David Brodbeck, Bryan Gilliam, Daniel Goldmark, Lily Hirsch, Kevin Karnes, Sherry Lee, Neil Lerner, Sadie Menicanin, Ben Winters, Amy Wlodarski, and Charles Youmans.
Bard Music Festival 2019
Korngold and His World
Bard College
August 9–11 and 16–18, 2019
Author / Editor information
Topics
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Frontmatter
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Contents
v -
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Preface and Acknowledgments
ix -
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Permissions and Credits
xv - ESSAYS
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Korngold Father and Son in Vienna’s Prewar Public Eye
1 -
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“You must return to life”: Notes on the Reception of Das Wunder der Heliane and Jonny spielt auf
37 -
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Acoustic Space, Modern Interiority, and Korngold’s Cities
67 -
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Korngold and Jewish Identity in Concert
89 -
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New Opportunities in Film: Korngold and Warner Bros
111 -
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“The caverns of the human mind are full of strange shadows”: Disability Representation, Henry Bellamann, and Korngold’s Musical Subtexts in the Score for Kings Row
131 -
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American and Austrian Ruins in Korngold’s Symphony in F-sharp
167 -
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Recollections of Zemlinsky from My Years of Study
193 -
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Notes for an Interview
201 -
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A Farewell to Vienna
207 -
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Composing for the Pictures: An Interview
223 -
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“Give up your plans of coming home”: Letters of a Viennese Father to His Son
233 -
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Some Experiences in Film Music
247 -
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Faith in Music!
255 - CODA
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Before and After Auschwitz: Korngold and the Art and Politics of the Twentieth Century
263 -
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Index
315 -
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Notes on the Contributors
327