The American Musical and the Formation of National Identity

Raymond Knapp is Professor in the Department of Musicology at the University of California, Los Angeles. He is the author of Symphonic Metamorposes: Subjectivity and Alienation in Mahler's Re-Cycled Songs and Brahms and the Challenge of the Symphony.

"Raymond Knapp has an extraordinarily perceptive ear. As he surveys the history of the American musical, he hears things--important things, revelatory things--that earlier writers who have attempted, systematically, to traverse this vast territory have missed. Hardly a page goes by without a 'Gee, I didn't realize that' moment. . . . One of the loveliest features of these books is the generosity of the musical examples. Coordinated with the text are hundreds of musical excerpts which Princeton University Press has made available to readers through easy downloading from the Internet. . . . It is clear that there is much to praise about Raymond Knapp's work, beginning with his vast knowledge of the subject and his infectious enthusiasm for it."---Edward Green, Popular Music and Society --- "[Knapp] offers new insights on each work and writes in an accessible, engaging style. . . . Knapp is . . . most effective . . . at negotiating the tensions . . . between work and context, and between part and whole."---Walter Frisch, Current Musicology --- "Raymond Knapp shows that while some musicals have served to reinforce the way people feel about America, many others have helped to challenge aspects of our culture that needed to be changed."---Stephen Peithman, Stage Directions --- "This close musical analysis, combined with broad cultural comments about the power of the American musical, is highly original and much needed, especially as a teaching textbook."---Alisa Clapp-Itnyre, The Historian --- "This is an intelligent, extremely well-written study which . . . is as valuable for its demonstration of how musicals may be read as for its own insightful readings."---Charles Hamm, Kurt Weil Newsletter --- "Knapp's well-researched and comprehensive presentation transcends the purely musical point of view. In his exploration of the underlying sociocultural fabric of a number of works, he puts the American musical theater on a par with its contemporary arts of jazz and film."---Ken McCoy, History --- "The breadth of Knapp's reading is astonishing, and his discussion of the historical background of the musical is admirable. . . . Knapp writes extremely well, and not only his thoughts but also his suggestions for further study are well organized. So, too, is his consideration of the growth of the American union in the context of Oklahoma!, Guys and Dolls, and The Music Man."---Andrew Lamb, BBC Music Magazine --- "Knapp does an excellent job of tracing the roots of the musical, avoiding much of the received wisdom. . . . When Knapp focuses on the structure of musicals, and how it works to move us and persuade us, he is very effective. . . ."---Michael Friedman, London Review of Books --- "Finalist for the 2004 George Freedley Memorial Award, The Theatre Library Association" --- "Winner of the 2004-2005 George Jean Nathan Award for Dramatic Criticism"