Chapter
Open Access
7. Antiplayback
-
Amanda Weidman
Chapters in this book
- Frontmatter i
- Contents vii
- List of Illustrations ix
- Acknowledgments xi
- Note on Transliteration and Spelling xv
- Introduction: Theorizing Playback 1
-
Part I. Prehistories
- 1. Trading Voices: The Gendered Beginnings of Playback 25
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Part II. Playback’s Dispensation
- 2. “A Leader for All Song”: Making a Dravidian Voice 53
- 3. Ambiguities of Animation: On Being “Just the Voice” 78
- 4. The Sacred and the Profane: Economies of the (Il)licit 104
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Part III. Afterlives
- 5. The Raw and the Husky: On Timbral Qualia and Ethnolinguistic Belonging 131
- 6. Anxieties of Embodiment: Liveness and Deadness in the New Dispensation 158
- 7. Antiplayback 187
- Notes 205
- References 225
- Index 243
Chapters in this book
- Frontmatter i
- Contents vii
- List of Illustrations ix
- Acknowledgments xi
- Note on Transliteration and Spelling xv
- Introduction: Theorizing Playback 1
-
Part I. Prehistories
- 1. Trading Voices: The Gendered Beginnings of Playback 25
-
Part II. Playback’s Dispensation
- 2. “A Leader for All Song”: Making a Dravidian Voice 53
- 3. Ambiguities of Animation: On Being “Just the Voice” 78
- 4. The Sacred and the Profane: Economies of the (Il)licit 104
-
Part III. Afterlives
- 5. The Raw and the Husky: On Timbral Qualia and Ethnolinguistic Belonging 131
- 6. Anxieties of Embodiment: Liveness and Deadness in the New Dispensation 158
- 7. Antiplayback 187
- Notes 205
- References 225
- Index 243