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University of California Press
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Hokum!
The Early Sound Slapstick Short and Depression-Era Mass Culture
Language:
English
Published/Copyright:
2017
About this book
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more.
Hokum! is the first book to take a comprehensive view of short-subject slapstick comedy in the early sound era. Challenging the received wisdom that sound destroyed the slapstick tradition, author Rob King explores the slapstick short’s Depression-era development against a backdrop of changes in film industry practice, comedic tastes, and moviegoing culture. Each chapter is grounded in case studies of comedians and comic teams, including the Three Stooges, Laurel and Hardy, and Robert Benchley. The book also examines how the past legacy of silent-era slapstick was subsequently reimagined as part of a nostalgic mythology of Hollywood’s youth.
Hokum! is the first book to take a comprehensive view of short-subject slapstick comedy in the early sound era. Challenging the received wisdom that sound destroyed the slapstick tradition, author Rob King explores the slapstick short’s Depression-era development against a backdrop of changes in film industry practice, comedic tastes, and moviegoing culture. Each chapter is grounded in case studies of comedians and comic teams, including the Three Stooges, Laurel and Hardy, and Robert Benchley. The book also examines how the past legacy of silent-era slapstick was subsequently reimagined as part of a nostalgic mythology of Hollywood’s youth.
Author / Editor information
King Rob :
Rob King is Associate Professor at Columbia University’s School of the Arts and author of the award-winning The Fun Factory: The Keystone Film Company and the Emergence of Mass Culture.
Topics
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Frontmatter
i -
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Contents
vii -
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List of Illustrations and Audiovisual Media
ix -
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Acknowledgments
xi -
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Introduction
1 - PART I. CONTEXTS
-
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1. “The Cuckoo School”: Humor and Metropolitan Culture in 1920s America
21 -
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2. “The Stigma of Slapstick”: The Short-Subject Industry and Its Imagined Public
55 - PART II. CASE HISTORIES
-
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3. “The Spice of the Program”: Educational Pictures and the Small-Town Audience
95 -
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4. “I Want Music Everywhere”: Music, Operetta, and Cultural Hierarchy at the Hal Roach Studios
125 -
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5. “From the Archives of Keystone Memory”: Slapstick and Re-membrance at Columbia Pictures’ Short-Subjects Department
157 -
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Coda: When Comedy Was King
191 -
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List of Abbreviations
201 -
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Notes
202 -
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Index
245
Publishing information
Pages and Images/Illustrations in book
eBook published on:
April 7, 2017
eBook ISBN:
9780520963160
Pages and Images/Illustrations in book
Main content:
270
eBook ISBN:
9780520963160
Keywords for this book
early 20th century cinema; depression era film; history of comedy; history of film; 20th century comedians; 20th century comedy teams; three stooges; laurel and hardy; robert benchley; silent era slapstick; early sound slapstick; early sound era; film studies; film and tv; cinematography; comedy films; comedy movies; comic movies; 1920 american comedy; hokum; stage slang comedy; media studies; film industry; popular culture; slapstick
Creative Commons
BY-NC-ND 4.0