Disinventions

US immigration policy along the southwestern border is deadly. Since 1994, the US Border Patrol has implemented a federal immigration strategy known as “prevention through deterrence,” which closed off many urban entry points along the US-Mexico border and militarized urban border crossings. This policy forced undocumented migrants to cross through dangerous terrain like the Sonoran Desert, often with tragic results. Immigrant advocates highlight migrant disappearances and deaths to expose the policy’s human toll. In Disinventions, José Manuel Cortez argues this approach is unlikely to bring an end to such oppressive immigration practices.

Disinventions examines the cultural, political, and rhetorical effects of US deterrence practices, exploring how discourse on immigration overlooks subjects who have always been a part of the borderlands but are rarely included in migration narratives. He highlights the failings of decolonial methods and discourse to fully capture and represent marginalized voices, including Black, Central American, and queer subjects. And he develops an ethics of unconditional hospitality embracing undocumented migrants. By drawing on the concept of “atopias” and what he calls “sites of disinvention” to unearth new forms of politics, Cortez suggests we can transcend the limits of decolonization discourse and humanize undocumented immigrants.

This challenging and engaging work should appeal to scholars and students of rhetorical studies, Latinx studies, and American studies.

Contributes to policy debates on the hot topic of undocumented immigration

Proposes a new strategy for countering the policy of prevention through deterrence that should appeal to advocates for undocumented migrants.

Advances a novel approach of extending unconditional hospitality toward undocumented migrants despite and without reason.

Surveying practices of political resistance and celebratory rhetorics of racial hybridity, Disinventions highlights how normative ideas about race and space continue to overlook subjects that have always been a part of the borderlands but have rarely been included in its dominant narratives of migration.