Kapitel in diesem Buch

1. Frontmatter i
2. Contents v
3. Acknowledgments vii
4. Introduction: Ecohorror in the Anthropocene 1
5. Part 1. Expanding Ecohorror
6. 1. Tentacular Ecohorror and the Agency of Trees in Algernon Blackwood’s “The Man Whom the Trees Loved” and Lorcan Finnegan’s Without Name 23
7. 2. Spiraling Inward and Outward: Junji Ito’s Uzumaki and the Scope of Ecohorror 42
8. 3. “The Hand of Deadly Decay”: The Rotting Corpse, America’s Religious Tradition, and the Ethics of Green Burial in Poe’s “The Colloquy of Monos and Una” 68
9. Part 2. Haunted and Unhaunted Landscapes
10. 4 The Death of Birdsong, the Birdsong of Death: Algernon Charles Swinburne and the Horror of Erosion 91
11. 5. An Unhaunted Landscape: The Anti-Gothic Impulse in Ambrose Bierce’s “A Tough Tussle” 110
12. 6. The Extinction-Haunted Salton Sea in The Monster That Challenged the World 133
13. Part 3. The Ecohorror of Intimacy
14. 7. From the Bedroom to the Bathroom: Stephen King’s Scatology and the Emergence of an Urban Environmental Gothic 153
15. 8. “This Bird Made an Art of Being Vile”: Ontological Difference and Uncomfortable Intimacies in Stephen Gregory’s The Cormorant 174
16. 9. The Shape of Water and Post-pastoral Ecohorror 195
17. Part 4. Being Prey, Being Food
18. 10 Superpig Blues: Agribusiness Ecohorror in Bong Joon-ho’s Okja 217
19. 11 Zoo: Television Ecohorror On and Off the Screen 237
20. 12 Naturalizing White Supremacy in The Shallows 257
21. Contributors 281
22. Index 285