Mcgill-queen's University Press
Unsettling Canadian Art History
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About this book
Bringing together fifteen scholars of art and culture, Unsettling Canadian Art History addresses the visual and material culture of settler colonialism, enslavement, and racialized diasporas in the contested white settler state of Canada.
This collection offers new avenues for scholarship on art, archives, and creative practice by rethinking histories of Canadian colonialisms from Black, Indigenous, racialized, feminist, queer, trans, and Two-Spirit perspectives. Writing across many positionalities, contributors offer chapters that disrupt colonial archives of art and culture, excavating and reconstructing radical Black, Indigenous, and racialized diasporic creation and experience. Exploring the racist frameworks that continue to erase histories of violence and resistance, this book imagines the expansive possibilities of a decolonial future.
Unsettling Canadian Art History affirms the importance of collaborative conversations and work in the effort to unsettle scholarship in Canadian art and culture.
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Front Matter
i -
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Contents
vii -
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Preface
ix -
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Acknowledgments
xv -
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Unsettling Canadian Art History
3 - Unsettling Settler Methodologies, Re-centring Decolonial Knowledge
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White Settler Tautologies and Pioneer Lies in Mi'kma'ki
45 -
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Notes to a Nation: Teachings on Land through the Art of Norval Morrisseau
65 -
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Embodying Decolonial Methodology: Building and Sustaining Critical Relationality in the Cultural Sector
87 -
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Silence as Resistance: When Silence Is the Only Weapon You Have Left
112 - Excavating and Creating Decolonial Archives
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Truth Is No Stranger to (Para)fiction: Settlers, Arrivants, and Place in Iris Häussler´s He Named Her Amber, Camille Turner´s BlackGrange, and Robert Houle´s Garrison Creek Project
141 -
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“Ran away from her Master … a Negroe Girl named Thursday”: Examining Evidence of Punishment, Isolation, Trauma, and Illness in Nova Scotia and Quebec Fugitive Slave Advertisements
160 -
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“Miner with a Heart of Gold”: Native North America, Vol. 1 and the Colonial Excavation of Authenticity
179 -
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Excavation: Memory Work
195 - Reclaiming Sexualities, Tracing Complicities
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Bear Grease, Whips, Bodies, and Beads: Community Building and Refusing Trauma Porn in Dayna Danger's Embodied 2Spirit Arts Praxis
215 -
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Coming Out a l'Oriental: Diasporic Art and Colonial Wounds
241 -
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Indian Americans Engulfing “American Indian”: Marking the “Dot Indians'” Indianness through Genocide and Casteism in Diaspora
270 -
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Figures
293 -
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Bibliography
297 -
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Contributors
327 -
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Index
329