Bibliography

Chapters in this book

1. Front Matter i
2. Contents v
3. Tables and Figures vii
4. Acknowledgments ix
5. Introduction 3
6. The Limits of Political Adaptation in Le Théâtre de Neptune en la Nouvelle-France and Sinking Neptune 40
7. Political Adaptation as Disidentification in Gertrude and Ophelia and Harlem Duet 60
8. Popular Yet Political Audiences in The Penelopiad and If We Were Birds 103
9. Beyond the Limits of Adaptation in Princess Pocahontas and the Blue Spots and Almighty Voice and His Wife 138
10. Conclusion 181
11. Notes 191
12. Bibliography 209
13. Index 237