Yale University Press
Fictions of Art History
About this book
Fictions of Art History, the most recent addition to the Clark Studies in the Visual Arts series, addresses art history’s complex relationships with fiction, poetry, and creative writing. Inspired by a 2010 conference, the volume examines art historians’ viewing practices and modes of writing. How, the contributors ask, are we to unravel the supposed facts of history from the fictions constructed in works of art? How do art historians employ or resist devices of fiction, and what are the effects of those choices on the reader? In styles by turns witty, elliptical, and plain-speaking, the essays in Fictions of Art History are fascinating and provocative critical interventions in art history.
Author / Editor information
Mark Ledbury is Power Professor of Art History and Visual Culture and Director of the Power Institute at the University of Sydney.
Topics
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Frontmatter
i -
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Contents
v -
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Introduction: Compelling Fictions
vii - Part One: Entanglements
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Weightless History: Faulkner, Bourke-White, and Eisenstaedt
3 -
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A Novelist among Artists: Gordon Burn and “Young British Art”
21 -
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Philip Marlowe Meets the Art Historian
34 -
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The Case of the Errant Art Historian
45 - Part Two: Not Who You Think I Am
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Face to Face with Fiction: Portraiture and the Biographical Tradition
71 -
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“I Am Not Who You Think I Am”: Attributing the Humanist Portrait, Identifying the Art-Historical Subject
87 -
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Fictional Deceptions: A True Story
104 -
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The Art-Historical Photograph as Fiction: The Pretense of Objectivity
118 - Part Three: Artists, Stories, Objects
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“The Reality Bodily before Us”: Picturing the Arabian Nights
141 -
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The Ekphrastic O
162 -
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Anecdotes and the Life of Art History
173 -
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The Text is Present
187 -
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Contributors
203 -
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Photography Credits
207