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Resisting Categories: Latin American and/or Latino?

  • Mari Carmen Ramírez , Tomas Ybarra-Frausto and Héctor Olea
Language: English
Published/Copyright: 2012
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About this book

This first volume of the Critical Documents of 20th-Century Latin American and Latino Art series published by the International Center for the Arts of the Americas at the Museum of Fine Arts, Houston, presents 168 crucial texts written by influential artists, critics, curators, journalists, and intellectuals whose writings shed light on questions relating to what it means to be "Latin American" and/or "Latino."

Reinforced within a critical framework, the documents address converging issues, including: the construct of "Latin-ness" itself; the persistent longing for a continental identity; notions of Pan–Latin Americanism; the emergence of collections and exhibitions devoted specifically to "Latin American” or "Latino" art; and multicultural critiques of Latin American and Latino essentialism. The selected documents, many of which have never before been published in English, span from the late fifteenth century to the present day. They encompass key protagonists of this comprehensive history as well as unfamiliar figures, revealing previously unknown facets of the questions and issues at play. The book series complements the thousands of seminal documents now available through the ICAA Documents of 20th-Century Latin American and Latino Art digital archive, http://icaadocs.mfah.org. Together they establish a much-needed intellectual foundation for the exhibition, collection, and interpretation of art produced in Latin America and among Latino populations in the United States.

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  • I. THE CONTINENTAL UTOPIA
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  • I.1 AMERICA AS A UTOPIAN REFRACTION
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  • I.2 THE INVENTION OF AN OPERATIVE CONCEPT
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  • I.3 NUESTRA AMÉRICA, THE MULTI-HOMELAND
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  • I.4 IS AMÉRICA A NO-PLACE?
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  • I.5 TENSIONS AT STAKE
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  • I.6 DOES BRAZIL BELONG TO LATIN AMÉRICA?
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  • II. A NEW ART
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  • II.1 A NEW ART FOR A NEW CONTINENT
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  • II.2 SURVEYS CONCERNING A CONTINENTAL ATTITUDE
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  • II.3 HARBINGERS OF THE NEW ART
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  • III. THE GOOD NEIGHBORHOOD AND BAD TIMES
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  • III.1 THE MONROE DOCTRINE: A PRECURSOR TO PAN AMERICANISM
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  • III.2 HALF-WORLDS IN CONFLICT
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  • III.3 INSIGHTS FROM LATIN AMERICA ON U.S. ART AND SOCIETY
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  • III.4 THE UNITED STATES “PRESENTS” AND “COLLECTS” LATIN AMERICAN ART
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  • IV. LONGING AND BELONGING
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  • IV.1 STRADDLING A CULTURAL DOCTRINE
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  • IV.2 A DOSE OF SKEPTICISM
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  • IV.3 OUR JANUS-FACED DILEMMA: IDENTITY OR MODERNITY?
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  • IV.4 DEBATING IDENTITY ON A CONTINENTAL SCALE
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  • V. DESTABILIZING CATEGORIZATIONS
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  • V.1 EXHIBITING ENTRENCHED REPRESENTATIONS
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  • V.2 QUESTIONING STEREOTYPES
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  • VI. THE MULTICULTURAL SHIFT
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  • VI.1 IDEOLOGY BETWEEN TWO WATERS
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  • VI.2 THE TRANSNATIONAL MISE-EN-SCÈNE
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Publishing information
Pages and Images/Illustrations in book
eBook published on:
April 24, 2012
eBook ISBN:
9780300187151
Pages and Images/Illustrations in book
Main content:
1200
Other:
8 color illus.
Downloaded on 23.2.2026 from https://www.degruyterbrill.com/document/doi/10.12987/9780300187151/html
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