Yale University Press
The Bassoon
About this book
This welcome volume encompasses the entire history of the bassoon, from its origins five centuries ago to its place in twenty-first-century music. James Kopp draws on new archival research and many years of experience playing the instrument to provide an up-to-date and lively portrait of today's bassoon and its intriguing predecessors. He discusses the bassoon's makers, its players, its repertory, and its audiences, all in unprecedented detail.
The bassoon was invented in Italy in response to the need for a bass-register double-reed woodwind suitable for marching. The author examines the acoustical consequences of various design changes to the instrument through later centuries. He also offers new coverage of the bassoon's social history, including its roles in the military and the church and its global use during the European Colonial period. Separate historical chapters devoted to contrabassoons and smaller bassoons complete the volume.
Published in association with the William Waterhouse Archive
Author / Editor information
James Kopp is a professional bassoonist and a well-known maker of reeds for modern, contra, and early bassoons. He is a senior editor of the forthcoming Grove Dictionary of Musical Instruments, 2nd edition. He lives in Hoboken, NJ.
Topics
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Frontmatter
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Contents
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List of Illustrations and Music Examples
9 -
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Preface
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Acknowledgements
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Author’s note
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Abbreviations
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Introduction
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1. Early Names; Precursors; The Bassoon Idea; The Founding Myth
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2. The Dulcian Family
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3. The Bassoon Idea: Early Relatives
65 -
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4. The Baroque Bassoon
81 -
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5. The Classical Bassoon, c.1760–1830
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6. The Scientific Bassoon, c.1830–1900
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7. A Tale of Two Systems, 1900–1990
168 -
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8. The Bassoonist’s World Since 1990
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9. The Contrabassoon
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10. The Bassoon Idea: Relatives after Mechanization
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11. Smaller Sizes of Bassoon
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Epilogue
248 -
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Notes
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Bibliography
285 -
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Index
304