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15. Neither Nobles nor Peasants: Plain Painting and the Emergence of the Merchant Estate
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David L. Ransel
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Chapters in this book
- Frontmatter i
- Contents vii
- Illustrations xi
- Acknowledgments xvii
- 1 Seeing into Being: An Introduction 1
- 2. Dirty Old Books 12
- 3. Visualizing and Illustrating Early Rus Housing 17
- 4. The Crosier of St. Stefan of Perm 21
- 5. Sixteenth-Century Muscovite Cavalrymen 28
- 6. Blessed Is the Host of the Heavenly Tsar: An Icon from the Dormition Cathedral of the Moscow Kremlin 33
- 7. The Cap of Monomakh 38
- 8. Church of the Intercession on the Moat / St. Basil’s Cathedral 42
- 9. Mapping Serfdom: Peasant Dwellings on Seventeenth-Century Litigation Maps 47
- 10. From Tsar to Emperor. Portraits of Aleksei and Peter I 51
- 11. The Russian Round Table: Aleksei Zubov’s Depiction of the Marriage of His Royal Highness, Peter the First, Autocrat of All the Russias 57
- 12 An Icon of Female Authority: The St. Catherine Image of 1721 63
- 13. Conspicuous Consumption at the Court of Catherine the Great: Count Zakhar Chernyshev’s Snuffbox 67
- 14 Moving Pictures: The Optics of Serfdom on the Russian Estate 71
- 15. Neither Nobles nor Peasants: Plain Painting and the Emergence of the Merchant Estate 76
- 16. Circles on a Square. The Heart of St. Petersburg Culture in the Early Nineteenth Century 81
- 17. Alexander Ivanov’s Appearance of Christ to the People 86
- 18 Lubki of Emancipation 90
- 19 Folk Art and Social Ritual 96
- 20 Personal and Imperial 100
- 21 Shop Signs, Monuments, Souvenirs 104
- 22 The Storming of Kars 109
- 23 A. O. Karelin and Provincial Bourgeois Photography 113
- 24 European Fashion in Russia 119
- 25 The Savior on the Waters Church War Memorial in St. Petersburg 124
- 26 Workers in Suits 128
- 27 Visualizing Masculinity 133
- 28 Pictographs of Power 139
- 29 Visualizing 1917 142
- 30 Looking at Tatlin’s Stove 148
- 31 Soviet Images of Jehovah in the 1920s 152
- 32 National Types 157
- 33 Envisioning Empire 162
- 34 The Visual Economy of Forced Labor 168
- 35 The Cinematic Pastoral of the 1930s 175
- 36 Portrait of Lenin 181
- 37 The Moscow Metro 185
- 38 The Soviet Spectacle 189
- 39 Motherland Calling? 196
- 40 Visual Dialectics 201
- 41 Soviet Jewish Photographers Confront World War II and the Holocaust 207
- 42 The Morning of Our Motherland 214
- 43 The Pioneer Palace in the Lenin Hills 218
- 44 Mikhail Romm’s Ordinary Fascism 224
- 45 Solaris and the White, White Screen 230
- 46 After Malevich–Variations on the Return to the Black Square 233
- 47 Imagining Soviet Rock 239
- 48 Keeping the Ancient Piety 243
- 49 Viktor Vasnetsov’s Bogatyrs 248
- 50 Landscape and Vision at the White Sea–Baltic Canal 254
- Chronology of Russian History 259
- Selected Bibliography 263
- Contributors 271
- Illustration Credits 273
- Index 277
Chapters in this book
- Frontmatter i
- Contents vii
- Illustrations xi
- Acknowledgments xvii
- 1 Seeing into Being: An Introduction 1
- 2. Dirty Old Books 12
- 3. Visualizing and Illustrating Early Rus Housing 17
- 4. The Crosier of St. Stefan of Perm 21
- 5. Sixteenth-Century Muscovite Cavalrymen 28
- 6. Blessed Is the Host of the Heavenly Tsar: An Icon from the Dormition Cathedral of the Moscow Kremlin 33
- 7. The Cap of Monomakh 38
- 8. Church of the Intercession on the Moat / St. Basil’s Cathedral 42
- 9. Mapping Serfdom: Peasant Dwellings on Seventeenth-Century Litigation Maps 47
- 10. From Tsar to Emperor. Portraits of Aleksei and Peter I 51
- 11. The Russian Round Table: Aleksei Zubov’s Depiction of the Marriage of His Royal Highness, Peter the First, Autocrat of All the Russias 57
- 12 An Icon of Female Authority: The St. Catherine Image of 1721 63
- 13. Conspicuous Consumption at the Court of Catherine the Great: Count Zakhar Chernyshev’s Snuffbox 67
- 14 Moving Pictures: The Optics of Serfdom on the Russian Estate 71
- 15. Neither Nobles nor Peasants: Plain Painting and the Emergence of the Merchant Estate 76
- 16. Circles on a Square. The Heart of St. Petersburg Culture in the Early Nineteenth Century 81
- 17. Alexander Ivanov’s Appearance of Christ to the People 86
- 18 Lubki of Emancipation 90
- 19 Folk Art and Social Ritual 96
- 20 Personal and Imperial 100
- 21 Shop Signs, Monuments, Souvenirs 104
- 22 The Storming of Kars 109
- 23 A. O. Karelin and Provincial Bourgeois Photography 113
- 24 European Fashion in Russia 119
- 25 The Savior on the Waters Church War Memorial in St. Petersburg 124
- 26 Workers in Suits 128
- 27 Visualizing Masculinity 133
- 28 Pictographs of Power 139
- 29 Visualizing 1917 142
- 30 Looking at Tatlin’s Stove 148
- 31 Soviet Images of Jehovah in the 1920s 152
- 32 National Types 157
- 33 Envisioning Empire 162
- 34 The Visual Economy of Forced Labor 168
- 35 The Cinematic Pastoral of the 1930s 175
- 36 Portrait of Lenin 181
- 37 The Moscow Metro 185
- 38 The Soviet Spectacle 189
- 39 Motherland Calling? 196
- 40 Visual Dialectics 201
- 41 Soviet Jewish Photographers Confront World War II and the Holocaust 207
- 42 The Morning of Our Motherland 214
- 43 The Pioneer Palace in the Lenin Hills 218
- 44 Mikhail Romm’s Ordinary Fascism 224
- 45 Solaris and the White, White Screen 230
- 46 After Malevich–Variations on the Return to the Black Square 233
- 47 Imagining Soviet Rock 239
- 48 Keeping the Ancient Piety 243
- 49 Viktor Vasnetsov’s Bogatyrs 248
- 50 Landscape and Vision at the White Sea–Baltic Canal 254
- Chronology of Russian History 259
- Selected Bibliography 263
- Contributors 271
- Illustration Credits 273
- Index 277