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15. Neither Nobles nor Peasants: Plain Painting and the Emergence of the Merchant Estate

  • David L. Ransel
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Picturing Russia
This chapter is in the book Picturing Russia
© Yale University Press, New Haven

© Yale University Press, New Haven

Chapters in this book

  1. Frontmatter i
  2. Contents vii
  3. Illustrations xi
  4. Acknowledgments xvii
  5. 1 Seeing into Being: An Introduction 1
  6. 2. Dirty Old Books 12
  7. 3. Visualizing and Illustrating Early Rus Housing 17
  8. 4. The Crosier of St. Stefan of Perm 21
  9. 5. Sixteenth-Century Muscovite Cavalrymen 28
  10. 6. Blessed Is the Host of the Heavenly Tsar: An Icon from the Dormition Cathedral of the Moscow Kremlin 33
  11. 7. The Cap of Monomakh 38
  12. 8. Church of the Intercession on the Moat / St. Basil’s Cathedral 42
  13. 9. Mapping Serfdom: Peasant Dwellings on Seventeenth-Century Litigation Maps 47
  14. 10. From Tsar to Emperor. Portraits of Aleksei and Peter I 51
  15. 11. The Russian Round Table: Aleksei Zubov’s Depiction of the Marriage of His Royal Highness, Peter the First, Autocrat of All the Russias 57
  16. 12 An Icon of Female Authority: The St. Catherine Image of 1721 63
  17. 13. Conspicuous Consumption at the Court of Catherine the Great: Count Zakhar Chernyshev’s Snuffbox 67
  18. 14 Moving Pictures: The Optics of Serfdom on the Russian Estate 71
  19. 15. Neither Nobles nor Peasants: Plain Painting and the Emergence of the Merchant Estate 76
  20. 16. Circles on a Square. The Heart of St. Petersburg Culture in the Early Nineteenth Century 81
  21. 17. Alexander Ivanov’s Appearance of Christ to the People 86
  22. 18 Lubki of Emancipation 90
  23. 19 Folk Art and Social Ritual 96
  24. 20 Personal and Imperial 100
  25. 21 Shop Signs, Monuments, Souvenirs 104
  26. 22 The Storming of Kars 109
  27. 23 A. O. Karelin and Provincial Bourgeois Photography 113
  28. 24 European Fashion in Russia 119
  29. 25 The Savior on the Waters Church War Memorial in St. Petersburg 124
  30. 26 Workers in Suits 128
  31. 27 Visualizing Masculinity 133
  32. 28 Pictographs of Power 139
  33. 29 Visualizing 1917 142
  34. 30 Looking at Tatlin’s Stove 148
  35. 31 Soviet Images of Jehovah in the 1920s 152
  36. 32 National Types 157
  37. 33 Envisioning Empire 162
  38. 34 The Visual Economy of Forced Labor 168
  39. 35 The Cinematic Pastoral of the 1930s 175
  40. 36 Portrait of Lenin 181
  41. 37 The Moscow Metro 185
  42. 38 The Soviet Spectacle 189
  43. 39 Motherland Calling? 196
  44. 40 Visual Dialectics 201
  45. 41 Soviet Jewish Photographers Confront World War II and the Holocaust 207
  46. 42 The Morning of Our Motherland 214
  47. 43 The Pioneer Palace in the Lenin Hills 218
  48. 44 Mikhail Romm’s Ordinary Fascism 224
  49. 45 Solaris and the White, White Screen 230
  50. 46 After Malevich–Variations on the Return to the Black Square 233
  51. 47 Imagining Soviet Rock 239
  52. 48 Keeping the Ancient Piety 243
  53. 49 Viktor Vasnetsov’s Bogatyrs 248
  54. 50 Landscape and Vision at the White Sea–Baltic Canal 254
  55. Chronology of Russian History 259
  56. Selected Bibliography 263
  57. Contributors 271
  58. Illustration Credits 273
  59. Index 277
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