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Richard Rodgers
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and
Language:
English
Published/Copyright:
1998
About this book
Richard Rodgers, a musical genius whose Broadway career spanned six successful decades, composed more than a thousand songs for the American stage. Although he reaped wealth, success, and recognition that included two shared Pulitzer Prizes, Rodgers found happiness elusive. In this first comprehensive biography of Rodgers, William G. Hyland tells the full story of the complex man and his incomparable music.
Hyland’s portrait of Rodgers (1902-79) begins with his childhood in an affluent Jewish family living in the Harlem neighborhood of Manhattan. During college years at Columbia University and early work on the amateur circuit and Broadway, Rodgers entered into a historic collaboration with the lyricist Lorenz Hart. The team produced a dozen popular shows and such enduring songs as "The Lady Is a Tramp." Rodgers’ next partnership, with Oscar Hammerstein II, led to the creation of the musical play, a new and distinctively American art form. Beginning with Oklahoma! in 1943, this pair dominated Broadway for almost twenty years with a string of hits that remain beloved favorites: Carousel, South Pacific, The King and I, and The Sound of Music. When Hammerstein died in 1960, Rodgers began a new phase in his career, writing the lyrics to his own music, then joining lyricists Stephen Sondheim, Sheldon Harnick, and Martin Charnin. Despite periods of depression, excessive drinking, hypochondria, and devastating illness at different points in his life, Rodgers’ outpouring of music seemed little affected, and he continued to compose until his death at age seventy-seven. An icon of the musical theater, Rodgers left a legacy of timeless songs that audiences return to hear over and again.
Hyland’s portrait of Rodgers (1902-79) begins with his childhood in an affluent Jewish family living in the Harlem neighborhood of Manhattan. During college years at Columbia University and early work on the amateur circuit and Broadway, Rodgers entered into a historic collaboration with the lyricist Lorenz Hart. The team produced a dozen popular shows and such enduring songs as "The Lady Is a Tramp." Rodgers’ next partnership, with Oscar Hammerstein II, led to the creation of the musical play, a new and distinctively American art form. Beginning with Oklahoma! in 1943, this pair dominated Broadway for almost twenty years with a string of hits that remain beloved favorites: Carousel, South Pacific, The King and I, and The Sound of Music. When Hammerstein died in 1960, Rodgers began a new phase in his career, writing the lyrics to his own music, then joining lyricists Stephen Sondheim, Sheldon Harnick, and Martin Charnin. Despite periods of depression, excessive drinking, hypochondria, and devastating illness at different points in his life, Rodgers’ outpouring of music seemed little affected, and he continued to compose until his death at age seventy-seven. An icon of the musical theater, Rodgers left a legacy of timeless songs that audiences return to hear over and again.
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Frontmatter
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Contents
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Overture
ix -
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Acknowledgments
xiii -
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1. Campfire Days
1 -
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2. Fly with Me
11 -
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3. Melody Man
21 -
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4. The Garrick Gaieties
29 -
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5. The Girl Friend
40 -
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6. Peggy-Ann
54 -
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7. A Connecticut Yankee
66 -
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8. Simple Simon
79 -
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9. Hollywood
91 -
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10. On Your Toes
101 -
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11. The Boys from Syracuse
117 -
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12. Pal Joey
126 -
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13. Oklahoma!
137 -
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14. Carousel
153 -
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15. Allegro
163 -
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16. South Pacific
174 -
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17. The King and I
190 -
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18. R&H
207 -
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19. Me and Juliet
218 -
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20. Cinderella
234 -
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21. The Sound of Music
247 -
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22. Words and Music
258 -
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23. No Strings
264 -
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24. Do I Hear a Waltz?
276 -
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25. Time
292 -
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Notes
311 -
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Bibliography
323 -
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Discography
329 -
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Credits and Permissions
333 -
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Index
339
Publishing information
Pages and Images/Illustrations in book
eBook published on:
February 12, 2018
eBook ISBN:
9780300143508
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