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On Opera
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Bernard Williams
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With contributions by:
Michael Tanner
Language:
English
Published/Copyright:
2008
About this book
Bernard Williams, who died in 2003, was one of the most influential moral philosophers of his generation. A lifelong opera lover, his articles and essays, talks for the BBC, contributions to the Grove Dictionary of Opera, and program notes for the Royal Opera House, Covent Garden, and the English National Opera, generated a devoted following.
This elegant volume brings together these widely scattered and largely unobtainable pieces, including two that have not been previously published. It covers an engaging range of topics from Mozart to Wagner, including sparkling essays on specific operas by those composers as well as Verdi, Puccini, Strauss, Debussy, Janacek, and Tippett. Reflecting Williams’s brilliance, passion, and clarity of mind, these essays engage with, and illustrate, the enduring appeal of opera as an art form.
This elegant volume brings together these widely scattered and largely unobtainable pieces, including two that have not been previously published. It covers an engaging range of topics from Mozart to Wagner, including sparkling essays on specific operas by those composers as well as Verdi, Puccini, Strauss, Debussy, Janacek, and Tippett. Reflecting Williams’s brilliance, passion, and clarity of mind, these essays engage with, and illustrate, the enduring appeal of opera as an art form.
Author / Editor information
Bernard Williams was Knightbridge Professor of Philosophy, Cambridge University, Monroe Deutsch Professor of Philosophy, University of California, Berkeley, and White’s Professor of Moral Philosophy, Oxford University. He was a member of the board of the English National Opera in London and author of many articles on music.
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Frontmatter
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Contents
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Editorial Preface
vii -
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Introduction
xii -
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1. The Nature of Opera: Entry for The New Grove Dictionary of Opera
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2. Mozart’s Comedies and the Sense of an Ending
20 -
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3. Mozart’s Figaro: A Question of Class?
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4. Don Giovanni as an Idea
31 -
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5. Passion and Cynicism: Remarks on Così fan tutte
43 -
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6. Rather Red than Black: Verdi, Don Carlos and the Passion for Freedom
49 -
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7. Tristan and Time
57 -
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8. The Elusiveness of Pessimism: Responding to the Ring
62 -
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9. Wagner and the Transcendence of Politics
70 -
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10. L’Envers des destinées: Remarks on Debussy’s Pelléas et Mélisande
90 -
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11. Manifest Artifice: The Ingenuity of Puccini
99 -
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12. Comments on Opera and Ideas: From Mozart to Strauss by Paul Robinson
107 -
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13. The Marriage and the Flute: Tippett and Mozart
113 -
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14. Janácek’s Modernism: Doing Less with More in Music and Philosophy
118 -
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15. Authenticity and Re-creation: Musicology, Performance and Production
121 -
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16. Naïve and Sentimental Opera Lovers
131 -
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Acknowledgments
144 -
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Index of Names and Works
146
Publishing information
Pages and Images/Illustrations in book
eBook published on:
October 1, 2008
eBook ISBN:
9780300142280
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Main content:
176