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1. High and Low in Modernist Criticism
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Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Preface ix
-
Part I. Paradoxies
- 1. High and Low in Modernist Criticism 1
- 2. Old and New in Modernist Art 33
- 3. Poetry and Rhetoric in the Modernist Montage 95
-
Part II. Paradoxes
- 5. Durable Fluff: The Importance of Not Being Earnest 141
- 6. Iridescent Mediocrity: Dornford Yates and Others 162
- 7. Formulaic Creativity: Simenon’s Maigret Novels 195
-
Part III. Doxies
- 8. Model Artists in Paris: Hastings, Hamnett, and Kiki 219
- 9. The Aesthete in the Brothel: Proust and Others 257
- Works Cited 281
- Index 285
Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Preface ix
-
Part I. Paradoxies
- 1. High and Low in Modernist Criticism 1
- 2. Old and New in Modernist Art 33
- 3. Poetry and Rhetoric in the Modernist Montage 95
-
Part II. Paradoxes
- 5. Durable Fluff: The Importance of Not Being Earnest 141
- 6. Iridescent Mediocrity: Dornford Yates and Others 162
- 7. Formulaic Creativity: Simenon’s Maigret Novels 195
-
Part III. Doxies
- 8. Model Artists in Paris: Hastings, Hamnett, and Kiki 219
- 9. The Aesthete in the Brothel: Proust and Others 257
- Works Cited 281
- Index 285